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2. artincontext.org › 10-paul-klee-paintings10 Paul Klee Paintings - The Magic of Line and Form

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   Mar 27, 2024 · 10 Paul Klee Paintings – The Magic of Line and Form. Paul Klee, a Swiss-German artist renowned for his unique blend of color theory, whimsical symbolism, and abstract expressionism, left an indelible mark on the art world of the 20th century.

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3. artuk.org › discover › storiesThe surreal and celestial compositions of Paul Klee | Art UK

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   Dec 18, 2020 · Paul Klee (1879–1940) Victoria Art Gallery. He had a remarkable ability to make shapes and colours pulse and sing, as in Small Harbour Scene (1919), which glows blue, purple, yellow, green. Some works are choruses, crescendos in every shade, while others are quiet, petering out like the end of a track.

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   How did Paul Klee contribute to art?

   • Paul Klee is known for his contributions to abstract art, particularly his use of vibrant colors, geometric shapes, and symbolic imagery. He was associated with various art movements, including Expressionism, Surrealism, and the Bauhaus school. What Themes Did Paul Klee Explore in His Artworks?

   10 Paul Klee Paintings - The Magic of Line and Form - artincontext.org

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   Who was Paul Klee?

   • Paul Klee, a Swiss-German artist renowned for his unique blend of color theory, whimsical symbolism, and abstract expressionism, left an indelible mark on the art world of the 20th century.

   10 Paul Klee Paintings - The Magic of Line and Form - artincontext.org

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   Does Paul Klee make people smile?

   • The art of Paul Klee (1879–1940) makes people smile. Take Fish Magic (1925), a jewel-like painting of a mystical realm that's part earthly, part celestial, part aquatic. At the centre, a clock has struck nine. Little and large fish – some x-ray-like with bony details, others simple silhouettes – drift around it.

   The surreal and celestial compositions of Paul Klee | Art UK

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   Is Klee a self-portrait?

   • So, you see the zig-zaggy lines that pour in from all sides and they surround sequences of fragmented heads, and at the centre right here, pretty much certainly, a self-portrait of Klee. It’s a self-portrait but it’s also capturing a critical moment in the history of Germany at that time, but through an abstract language.

   Paul Klee: Making Visible | Tate

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5. artsandculture.google.com › story › OAXhETi6oOu24wPaul Klee: 8 works — Google Arts & Culture

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   By Google Arts & Culture. Thistle picture (1924) by Paul Klee National Gallery of Victoria. 'Art does not reproduce the visible but makes visible', wrote Klee in 1918, articulating one of his...

6. www.metmuseum.org › art › collectionPaul Klee | Variations (Progressive Motif) | The Metropolitan ...

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   Variations (Progressive Motif) Paul Klee German, born Switzerland. 1927. Not on view. Klee gridded this small canvas in such a way that the design looks like slightly irregular graph paper or a pattern of parquetry boards. Due to a variation in the same motif—horizontally striped, light blue squares on the outside versus ivory-shaded ones ...

7. www.metmuseum.org › art › collectionPaul Klee | Small Portrait of a Girl in Yellow | The ...

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   Artwork Details. Title: Small Portrait of a Girl in Yellow. Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno) Date: 1925. Medium: Gypsum and oil on canvas. Dimensions: 9 3/8 × 8 3/8 in. (23.8 × 21.3 cm) Classification: Paintings. Credit Line: The Berggruen Klee Collection, 1984.

8. www.metmuseum.org › art › collectionPaul Klee | Monuments at G. | The Metropolitan Museum of Art

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   Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno) Date: 1929. Medium: Gypsum and watercolor on canvas. Dimensions: 27 3/8 × 19 7/8 × 1 1/4 in. (69.5 × 50.5 × 3.2 cm) Classification: Paintings. Credit Line: The Berggruen Klee Collection, 1984. Accession Number: 1984.315.51.

9. www.tate.org.uk › paul-klee-making-visiblePaul Klee: Making Visible | Tate

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   Dec 12, 2013 · Klee’s one of the towering figures of the Twentieth Century. It’s easy to see pieces of his work, to think about the line drawing or to think about the works that are simply abstract. But what we’ve tried to do, by arranging things chronologically, is to show that he is incredibly various at any one moment.