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Pierre Bonnard (French:; 3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color.
- Painter
Apr 18, 2024 · Pierre Bonnard (born October 3, 1867, Fontenay-aux-Roses, France—died January 23, 1947, Le Cannet) was a French painter and printmaker, a member of the group of artists called the Nabis and afterward a leader of the Intimists. He is generally regarded as one of the greatest colourists of modern art.
French Painter and Printmaker. Born: October 3, 1867 - Fontenay-aux-Roses, France. Died: January 23, 1947 - Le Cannet, France. Movements and Styles: Post-Impressionism. , Les Nabis. , Symbolism. "Art is not nature.. There was a lot more to be got out of color." 1 of 7. Summary of Pierre Bonnard.
- French
- October 3, 1867
- Fontenay-aux-Roses, France
- January 23, 1947
Jan 31, 2020 · Pierre Bonnard (October 3, 1867–January 23, 1947) was a French painter who helped provide a bridge between impressionism and the abstraction explored by post-impressionists. He is known for the bold colors in his work and a fondness for painting elements of everyday life. Fast Facts: Pierre Bonnard. Occupation: Painter.
Pierre Bonnard (French: [bɔnaʁ]; 3 October 1867 — 23 January 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality.
- French
- October 3, 1867
- Fontenay-aux-Roses, Hauts-de-Seine, France
- January 23, 1947
Pierre Bonnard. Pont de la Concorde (1913–15) Tate. Bonnard would fill his studio with canvases that were tacked to the walls. He worked on different subjects side by side, including works inspired by his garden, his daily walks or his experience of crowds in the streets.
In Bonnard’s late interiors, we discover a universe of familiar rooms, objects, and models. Bonnard explicitly admitted that he could only paint the familiar. The rituals of daily life—taking tea, feeding the cat, tending to the dinner table—were his subjects.
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