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Aimard was born in Lyon, where he entered the conservatory. Later he studied with Yvonne Loriod and with Maria Curcio. [1] In 1973, he was awarded the chamber music prize of the Paris Conservatoire. In the same year, he won the first prize at the international Olivier Messiaen Competition. In 1977, at the invitation of Pierre Boulez, he became ...
Born in Lyon in 1957, Pierre-Laurent Aimard studied at the Paris Conservatoire with Yvonne Loriod and in London with Maria Curcio. Early career landmarks included winning first prize in the 1973 Messiaen Competition at the age of 16 and being appointed, three years later, by Pierre Boulez to become the Ensemble Intercontemporain's first solo ...
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Early next year, Aimard returns to the States for solo recitals in Chicago (Feb 25), San Francisco (Feb 27) and Philadelphia, where he pairs his performance with a masterclass (Feb 23). Read More 01.Oct.2023
Pierre-Laurent Aimard is widely acclaimed as an authority in music of our time while recognised also for shedding fresh light on music of the past. His international schedule of creatively conceived concerts, broadcasts and recordings is complemented by a career-long commitment to teaching, giving concert lectures and workshops worldwide ...
March 15, 1979. Pierre-Laurent Aimard is one of the leading pianists associated with the mainstream European avant-garde of the last third of the twentieth century and the early twenty-first century. His teacher at the Paris Conservatory was Yvonne Loriod, wife of the composer and theory teacher Olivier Messiaen.
“A brilliant musician and an extraordinary visionary” (Wall Street Journal), Pierre-Laurent Aimard is widely acclaimed as an authority in music of our time while recognised also for shedding fresh light on music of the past. His international schedule of creatively conceived concerts, broadcasts and recordings is complemented by a career-long commitment to teaching, giving concert lectures ...
Pierre-Laurent Aimard’s long association with Olivier Messiaen’s music dates back to the early 1970s, when the teenaged pianist was a protégée of both the composer Continue Reading Reference Recording: Aimard’s Top Vingt Regards
