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  1. Among its most successful and well known films were The Deep (1977), Midnight Express (1978), An American Werewolf in London (1981), Flashdance (1983), Four Weddings and a Funeral (1994), Dead Man Walking (1995), The Big Lebowski (1998), Fargo (1996), The Usual Suspects (1995), The Game (1997), Barney's Great Adventure (1998) and Notting Hill (1...

    • 1975; 48 years ago
    • Independent (1975–1980), PolyGram (1980–1998), Universal Pictures (1998–1999)
  2. The same year, Kuhn set up PolyGram Filmed Entertainment which acquired 100% of Working Title in 1992. [3] [2] The company produced a variety of films for PolyGram Filmed Entertainment which became a major Hollywood competitor.

    • 1983
    • Film production
  3. Working Title Films films ‎ (132 P) Pages in category "PolyGram Filmed Entertainment films" The following 132 pages are in this category, out of 132 total. This list may not reflect recent changes . A. The Adventures of Pinocchio (1996 film) The Adventures of Priscilla, Queen of the Desert. The Air Up There. An American Werewolf in London.

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  5. Apr 22, 2020 · In a recent article in this journal, I examined the early development and launch of a film studio, PolyGram Filmed Entertainment (PFE), and the integration of an independent production company, Working Title Films, into this new venture between 1988 and 1993.

    • Nathan Townsend
    • 2020
  6. Aug 7, 2017 · Notable films include Four Weddings and a Funeral (1994), Bean (1997), The Borrowers (1997) and Notting Hill (1999). This paper examines the origins of this production strategy between 1988 and 1993.

    • Nathan Townsend
    • 2017
  7. Abstract. In the 1990s, the London-based production company, Working Title Films, become synonymous with a brand of globally oriented popular cinema which is identifiably British in content while also embracing many of the aesthetic and cultural forms of Hollywood filmmaking.

  8. film studio, PolyGram Filmed Entertainment (PFE), and the integration of an independent production company, Working Title Films, into this new venture between 1988 and 1993. This article resumes that narrative by considering the evolving parent company-subsidiary dynamic at play between PFE and Working Title between 1993 and 1998.

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