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Out in the artificial lake there is a pavilion of green and white porcelain; it is reached by a bridge of jade, arched like the back of a tiger. In the pavilion friends in bright-coloured robes are drinking cups of cool wine; they chatter and scribble verses, their sleeves tucked up, their hats pushed back.
The first part of The Porcelain Pavilion was based on Le livre de jade (The Book of Jade) by Judith Gautier, a remarkable literary figure, who was so immersed in the Parnassian milieu that she was even referred to by some contemporaries as the only female Parnassian. The initial inspiration for Gumilev's Chinese project can
Abstract. This article discusses the history of Judith Gautier's Le livre de jade(1867), one of the earliest volumes of translations of Chinese poetry published in any European language. It explores the connection between her interest in this project, which Gautier undertook as an amateur student of Chinese, and both the sinological context and ...
- Pauline Yu
- 2007
vincingly argued, can be traced back to the exhibition of a Chinese pavilion made of porcelain (Pavillon chinois) at the Paris World Fair in 1867, the same year that Gautier’s Le livre de jade was published. Due to the preconceived notions awoken
May 21, 2018 · Judith Gautier (1845–1917) is best known as muse to Victor Hugo and Richard Wagner. More recently, critics have started crediting her for bringing Asian culture to Parnassian-era Paris in her 1867 translations of Chinese poetry, Le Livre de jade. In most of her translations, Gautier adapted Chinese texts to suit personal and contemporary ...
- Andrea S. Thomas
- 2018
Judith Gautier (25 August 1845, Paris – 26 December 1917) was a French poet, translator and historical novelist, the daughter of Théophile Gautier and Ernesta Grisi, sister of the noted singer and ballet dancer Carlotta Grisi. [1] She was married to Catulle Mendès, but soon separated from him and had a brief affair with the composer Richard ...
466 "Your Alabaster in This Porcelain": Judith Gautier's Le livre dejade PMLA sonnet addressed to "La Marguerite" Gautier identified himself with the Tang poet Li Bo ($ Q [701-62]).2 These interests were abetted by the increasing presence of artifacts from Asia at the Universal Expositions in London and Paris of 1851, 1855, 1862, and 1867, all of
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