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  1. The art of seduction. Lover to companion. Politics and power. Madame de Pompadour was the long-standing mistress of King Louis XV of France. In this portrait, the last ever painted of her, she is presented as a respectable, cultured, middle-aged woman, who gazes confidently at the viewer.

  2. A portrait of Madame de Pompadour and a dog at the foot of her shoes (portrait by François Boucher, 1756) By March, she was the King's mistress, installed at Versailles in an apartment directly above his. On 7 May, the official separation between her and her husband was pronounced. To be presented at court, she required a title.

    • François Poisson
    • Madeleine de La Motte
  3. Jun 17, 2019 · As well as commissioning various works of art and architecture to adorn her Versailles apartments and various other pieces of property, Pompadour was herself the subject of numerous portraits by the likes of Jean-Marc Nattier, François Hubert Drouais, and François Boucher, some of which can be found on Art UK.

  4. May 12, 2016 · May 12, 2016. Portrait of the Marquise de Pompadour by Maurice Quentin de La Tour, between 1748 and 1755, currently at the Louvre Museum. Public Domain. Madame de Pompadour is perhaps...

  5. Apr 14, 2024 · François Boucher, Madame de Pompadour, 1756, Alte Pinakothek, Munich, Germany. Detail. When Boucher painted this portrait in 1756, Madame de Pompadour was at the pinnacle of court life. She is wearing a fashionable green silk dress adorned with pink bows and roses.

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  7. Apr 12, 2019 · Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Madame de Pompadour’ was created in 1756 by Francois Boucher in Rococo style. Find more prominent pieces of portrait at Wikiart.org – best visual art database.

  8. focus.louvre.fr › en › la-marquise-de-pompadourOfficial portraits | Focus

    Madame de Pompadour turned to the artist Maurice Quentin de La Tour after his rise to fame with the success of his royal portraits at the Salon of 1748. She enjoyed a privileged relationship with a number of artists. Keen to pay her homage, her portraitists excelled themselves.

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