Post-punk is a diverse genre that emerged from the cultural milieu of punk rock in the late 1970s. Originally called "new musick", the terms were first used by various writers in the late 1970s to describe groups moving beyond punk's garage rock template and into disparate areas.
The following is a list of post-punk bands.Post-punk is a musical movement that began at the end of the 1970s, following on the heels of the initial punk rock movement. The essential period that is most commonly cited as post-punk falls between 1978 and 1984.
Post-punk revival is a type of indie rock that emulates the sound of post-punk bands of the late 1970s and new wave bands of the early 1980s and has been stylistically tied to 1990s music movements such as shoegazing, Britpop, garage revival and post-hardcore.
- 1977–79: Early Years
- 1980–84: Further Developments
- External Links
Scope and related terms
Template:See also Post-punk is a diverse genre that emerged from the cultural milieu of punk rock in the late 1970s.Template:SfnTemplate:Refn Originally called "new musick", the terms were first used by various writers in the late 1970s to describe groups moving beyond punk's garage rock template and into disparate areas.Template:Sfn Musicologist David Wilkinson said that Sounds writers Jon Savage and Jane Suck were likely to have coined "post-punk".Template:Sfn At the time, there was a feeli...
Characteristics and philosophy
Many post-punk artists were initially inspired by punk's DIY ethic and energy, but ultimately became disillusioned with the style and movement, feeling that it had fallen into commercial formula, rock convention and self-parody.Template:Sfn They repudiated its populist claims to accessibility and raw simplicity, instead seeing an opportunity to break with musical tradition, subvert commonplaces and challenge audiences.Template:Sfn Artists moved beyond punk's focus on the concerns of a largely...
Template:Details As the initial punk movement dwindled, vibrant new scenes began to coalesce out of a variety of bands pursuing experimental sounds and wider conceptual territory in their work.Template:Sfn By late 1977, British acts like Siouxsie and the Banshees and Wire were experimenting with sounds, lyrics and aesthetics that differed significantly from their punk contemporaries. Savage described some of these early developments as exploring "harsh urban scrapings", "controlled white nois...
Template:See alsoActs such as Public Image, the Pop Group and the Slits had begun experimenting with dance music, dub production techniques and the avant-garde,Template:Sfn while punk-indebted Manchester acts such as Joy Division, The Fall, the Durutti Column and A Certain Ratio developed unique styles which drew on a similarly disparate range of influences across music and modernist art.Template:Sfn Bands such as Scritti Politti, Gang of Four, Essential Logic and This Heat incorporated Lefti...
Template:See alsoScript error In the mid 1970s, various American groups (some with ties to Downtown Manhattan's punk scene, including Television and Suicide) had begun expanding on the vocabulary of punk music.Template:Sfn Midwestern groups such as Pere Ubu and Devo drew inspiration from the region's derelict industrial environments, employing conceptual art techniques, musique concrète and unconventional verbal styles that would presage the post-punk movement by several years.Template:Sfn A...
UK scene and commercial ambitions
Template:See also British post-punk entered the 1980s with support from members of the critical community—American critic Greil Marcus characterised "Britain's postpunk pop avant-garde" in a 1980 Rolling Stone article as "sparked by a tension, humour and sense of paradox plainly unique in present day pop music"—as well as media figures such as BBC DJ John Peel, while several groups, such as PiL and Joy Division, achieved some success in the popular charts.Template:Fact The network of supporti...
Downtown Manhattan and elsewhere
In the early 1980s, Downtown Manhattan's no wave scene transitioned from its abrasive origins into a more dance-oriented sound, with compilations such as ZE Records' Mutant Disco (1981) highlighting a newly playful sensibility borne out of the city's clash of hip hop, disco and punk styles, as well as dub reggae and world music influences.Template:Sfn Artists such as ESG, Liquid Liquid, the B-52s, Cristina, Arthur Russell, James White and the Blacks and Lizzy Mercier Descloux pursued a formul...
Mid 1980s: Decline
The original post-punk movement ended as the bands associated with the movement turned away from its aesthetics, often in favor of more commercial sounds (such as new wave) . Many of these groups would continue recording as part of the new pop movement, with entryism becoming a popular concept.Template:Sfn In the United States, driven by MTV and modern rock radio stations, a number of post-punk acts had an influence on or became part of the Second British Invasion of "New Music" there.Templat...
Influence in the 1980s–90s
Template:See alsoTemplate:Expand section Post-punk was an eclectic genre which resulted in a wide variety of musical innovations and helped merge white and black musical styles.Template:Sfn Out of the post-punk milieu came the beginnings of various subsequent genres,Template:Synthesis inline including new wave, avant-funk, dance-rock, New Pop, industrial music, synthpop,Template:Sfn post-hardcore, alternative rock, house music and twee pop.
Until the early 2000s, the post-punk era was "often dismissed as an awkward period in which punk's gleeful ructions petered out into the vacuity of the Eighties" by commentators. In recent years, Reynolds was one of the first scholars to have argued to the contrary, asserting that the period produced significant innovations and music on its own. Reynolds described the period as "a fair match for the sixties in terms of the sheer amount of great music created, the spirit of adventure and ideal...
Template:MainAt the turn of the 21st century, a post-punk revival developed in British and American alternative and indie rock, which soon started appearing in other countries, as well. The earliest sign of a revival was the emergence of various underground bands in the mid-'90s. However, the first commercially successful bands – the Strokes, Franz Ferdinand, Interpol and Editors – surfaced in the late 1990s to early 2000s, as did several dance-oriented bands such as the Rapture, Radio 4 and...
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Template:Commons category 1. Post-punk at AllMusic 2. Post-punk essay and sampler by Julian Cope Template:PunkTemplate:New wave musicTemplate:Progressive musicTemplate:Use dmy dates Template:Authority control
Post-punk (originally called new musick) is a broad type of rock music that emerged from the punk movement of the 1970s, in which artists departed from the simplicity and traditionalism of punk rock to adopt a variety of avant-garde sensibilities. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented diversely with sources including electronic ...
Post-punk je širok pojem, ki označuje vrsto rock glasbe, ki se je pojavila ob vzponu popularnosti punk gibanja 1970-ih let, v kateri so se izvajalci oddaljili od surovega, na rocku osnovanega zvoka in so se raje približali zvokom, ki jih ponuja eksperimentalna glasba.
Post-punk este un gen de muzică rock care care a evoluat inițial din explozia punk rock de la sfârșitul anilor 1970. Genul este o formă mai experimentală a punk-ului. Stilul este ceva mai introvertit, complex și experimental decât el al muzicii punk.
Alkuperäinen post-punk-suuntaus hiipui, kun siihen liittyneet yhtyeet siirtyivät eteenpäin, kuten olivat aikoinaan siirtyneet pois punkista. Monet post-punk-yhtyeet, kuten The Cure ja Siouxsie and the Banshees , alkoivat soittaa goottirockia (joka itse asiassa aiemmin laskettiin osaksi post-punk-suuntausta).
This is a list of notable punk rock bands beginning with the numbers 0–9 and letters A through K. The bands listed have played some type of punk music at some point in their career, although they may have also played other styles.
Electronic music is music that employs electronic musical instruments, digital instruments or circuitry-based music technology.A distinction can be made between sound produced using electromechanical means (electroacoustic music) and that produced using electronics only.