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Power pop is a music genre which is a more aggressive form of pop rock. Although its mainstream success peaked in the late 1970s and early 1980s, the genre continues to influence new artists. The following list is divided in two sections.
Aug 19, 2019 · This list of power pop bands seeks to determine that. Familiar bands like Blondie, The Cars, Squeeze, The Knack, The Romantics and Big Star all make this list. All power pop bands should be on this list. If you notice that one of the best power pop bands isn't on this list and should be, please feel free to add them.
Big Star was an American power pop band formed in Memphis, Tennessee, in 1971 by Alex Chilton (1950 – 2010), Chris Bell (1951 – 1978), Jody Stephens…
- Power Pop Bands
- Early Power Pop Bands
- Big Star – Arguably The Most Influential of All Power Pop Bands
- Badfinger – Arguably The Most Successful of The Early Power Pop Bands
- The Nerves – The First of The Great Diy Power Pop Bands
- Power Pop Music’s Biggest Hit
- What Single Song Is Most Associated with Early Power Pop Music?
- These Power Pop Bands Shoulda Been Huge
“So what’s power pop?” I wish I had a Percocet and a hand gun for every time I was asked this question. Then comes the inevitable follow up question. “So like, give me an example of some power pop bands”. There is no “silver bullet” answer to this question (so put away the hand gun and the Percocets). So, to crystallize my thoughts, I thought I’d create a page that I can refer folks to when they ask the question. So, here goes… Power pop is melodic, guitar driven music boiled down to its most basic and appealing parts. It’s all hook and no fat. Additionally, powerpop songs often feature ringing or chiming guitars, pleasing harmonies, short or no solos – and they quite often time in at 3 minutes or less. Power pop music has elements of rockabilly, pop, Mersey beat, doo-wop, and bubblegum, but it only really started to jell as its own genre in the late ‘70’s. Still, the power pop sound is rooted in bands such as Badfinger, The Byrds, Beatles, Beach Boys, The Move and perhaps most prof...
While there are varying opinions on the matter, many would cite Cleveland’s The Raspberriesas one of the first real power pop bands of significance. Their classic radio-friendly single, “Go All The Way”, made The Raspberries the first power pop band to get significant airplay as well as the attention of the mainstream music listener.
There may be no more influential work than Big Star’s first release entitled #1 record – with the possible exception of Radio City, their second album. Alex Chilton and Chris Bell were the McCartney and Lennon of power pop, writing songs that still sound relevant today even though they were created 40 years ago. In my opinion, September Gurls is as beautiful as any song I have ever heard and has been covered countless times by a countless number of admiring artists. The song was rated as the 180thbest song ever recorded by Rolling Stone and has been covered by countless bands, most notably hitmakers The Searchers, The Bangles and Superdrag. Even Katy Perry recorded a tribute to the band entitled “California Gurls” in 2013. In 2012, filmmaker Drew DeNicola write and directed an acclaimed documentary about the band entitled Big Star: Nothing Can Hurt Me, telling the band’s incredible story and lending even more credence to the mystery and legend that was Big Star.
Badfinger seemed destined for stardom from the very start. Originally formed as The Iveys, they were the first band signed to The Beatles’ Apple Records in 1968. Shortly after changing their name to Badfinger (John Lennon wanted them to name the band Glass Onion), the band had a hit with the Paul McCartney penned “Come and Get It” (1970). Over the next several years, they’d have hits with “No Matter What”, Day After Day” and most notably, the power pop standard “Baby Blue”. How good was Badfinger? The late, great Harry Nilsson chose to cover Badfinger’s “Without You”. When a songwriting genius chooses to record your song, it should be all the validation anyone needs. What should have been a long and prosperous career ended as so many music careers do – with a single event triggering a domino effect of successive tragedy. The nature of these tragedies run the gamut from financial to personal (suicide). The Badfinger story is so tragic and ultimately compelling that several documentar...
Before there were indie acts, self-produced and distributed records or home recording, there was The Nerves. Paving the way for many of the power pop bands that would follow, The Nerves (Peter Case, Paul Collins and Jack Lee) would tour and perform without a contract from a major label. While Blondie would have a hit with the Jack Lee composition “Hanging on the Telephone”, Peter Case and Paul Collins would have a much greater impact on the genre. After a very short stint, The Nerves would break up with Case and Collins forming The Breakaways and later branch off into their own power pop bands where each would make their distinctive mark. Collins and his band, The Beat, had hits with “Rock n Roll Girl” and “All Over The World” and then do exactly that – tour all over the world. Case’s band, The Plimsoulswould have success with the hit song “Million Miles Away” and appearances in films such as 1983’s “Valley Girl”. Peter Case would go on to have a long career spanning several genres...
No overview of the genre and its bands would be complete without mentioning The Knack. Not only they vital sounding, they had marketing genius behind them. I remember buying their debut LP , Get The Knack, without having actually heard the band before (they weren’t in rotate on any east coast radio stations) as the cover reminded me slightly of Meet The Beatles. Written about a girl who attended his shows – one he would soon have a long and complicated relationship with – Doug Fieger’s “My Sharona” would set the world ablaze, spending six weeks atop the Billboard Hot 100 singles chart and having the distinction of being named the #1 song on Billboard’s 1979 end of the year top singles chart. Bruce Gary’s stuttering beat, Burton Averre’s magnificent rig and blistering solo, and Fieger’s urgent delivery make this song simply too good to resist. The Knack went on to record right up until Fieger’s death in 2011. Their body of work was outstanding, albeit somewhat inconsistent as they al...
Every genre has a flagship song and that certainly is the case with Power Pop. While The Knack may have had powerpop’s biggest hit to date in “My Sharona”, The Records’ 1979 single “Starry Eyes” would become the song most indicative of the genre’s sensibilities. While the single peeked at #56, the album from which it came would nearly break the top 40, coming in at #41. Entitled “The Records” in the US (“Shades in Bed in the UK) the disc featured “Starry Eyes” as well as some lesser hits such as “Teenerama” and “All Messed Up and Ready”. “Starry Eyes” would be featured in several future compilations, eventually being featured in a Rhino Records retrospective of the genre entitled “DIY Starry Eyes; UK Pop 2 (1978-79).
Among the earliest powerpop bands, there were several that should have been big but due to various circumstances not uncommon pt the industry, things didn’t work out. Big Star would have headlines this category except, over time, they’ve attained a good bit of notoriety. North Carolin’s dB’s put out some great records, The Toms put out two great records no one has ever heard and then 20/20’s debut was simply awesome. But for my money, there was no better band in that time than Seattle’s The Heats. The Heats released only one proper record for the Albatross label, owned and run by the Wilson sisters from the mega-popular band Heart. When the parent label dropped Albatross and severed distribution channels, their fate was cast. The band dissolved quickly but not before taking the Northwest by storm. Powerpop’s heyday is generally considered to be this early period from 1978 into the early 80’s. Some of the more influential bands of that time (not mentioned above) include: Emmit Rhodes...
An amazing resurrection for a group closely associated with the 1960s but that was also a major source of inspiration for quite a few late-1970s power pop bands. Interestingly enough, The Searchers released two supremely catchy power pop albums at the same time as a 'New Wave' of young power pop bands were sprouting up everywhere around them!
- The Raspberries – The Raspberries. (1972; Capitol) The origins of power pop go all the way back to the ’60s, with the influence of garage rock and “bubblegum” pop feeding into a more cranked-up, amps-cranked brand of pop music.
- Big Star – Radio City. (1974; Ardent) Few flawless rock albums were ever as ill-fated from the start as the golden second album from Memphis’ Big Star. Co-frontman Chris Bell left soon after recording started, leaving them a trio under the guidance of Alex Chilton, an already fatigued music veteran at the age of 23.
- Flamin’ Groovies – Shake Some Action. (1976; Sire) Power pop has in large part come to be known mostly for its most prominent American acts, even though some of its best (and most underrated) acts were British, like The Records, responsible for the incredible single “Starry Eyes.”
- The Cars – The Cars. (1978; Elektra) It’s a strange fact that three members of The Cars—Ric Ocasek, Benjamin Orr and Jas Goodkind—started out in a folk-rock group called Milkwood.
This is not really an attempt to list the greatest power pop bands. It's more the ones that I personally like the best. It's more the ones that I personally like the best. So I went back into my entire history of power pop fandom and tried to think of the bands I've listened to the most.