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Jul 23, 2023 · 1 Introduction. The sociology of cultural productions constitutes a field of research that investigates how cultural items are made, distributed, and used. Oftentimes, this field of research is called sociology of art, yet sociologists of art generally agree on broadening the analytical scope to include aesthetic productions in a wider sense.
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Instead, he coined the term ‘relations of production’ to refer to the social relations specific to a particular mode of production, and reserved division of labour (these days the ‘technical division of labour’) for the concrete, structural composition and organization of production relations.In chapter 7 of volume i of Capital, Marx specifies t...
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The production of culture perspective focuses on the ways in which the content of symbolic elements of culture are significantly shaped by the systems within which they are created, distributed, evaluated, taught, and preserved.
Feb 13, 2024 · Olivia Guy-Evans, MSc. The means of production are the facilities, tools, infrastructure, resources, and assets used to produce goods and services in an economy. They include factories, machinery, technology, land, raw materials, transportation, and any other equipment or infrastructure that goes into production.
In general, notions of production design or art direction can involve the following things: set design, painting, decoration, construction, and budgeting; the incorporation of locations into the overall “look” of a film; decisions about the tone and color of a work’s cinematograph; and special effects.
Oct 15, 2023 · Set design, also known as scenic design, is a specialized field in film production that focuses on creating the physical environment in which a movie unfolds. It involves designing, planning, and constructing the visual and tactile spaces where characters interact and events transpire.
Reflexivity, criticality and engagement are crucial to ensure the production of ethical, non-exploitative research. In short, decolonial methodologies require a commitment to the dismantling of the hierarchy that exists between white researcher (coloniser), and non-white participant (colonised).
