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  2. Jun 16, 2020 · Alfred Hitchcock attends the premiere of Psycho (1960). / Keystone/Hulton Archive/Getty Images. Despite Hitchcock's fervent and admirable attempts at keeping the project a secret, both Variety...

    • Scott Weinberg
    • 7 min
  3. Apr 28, 2024 · Released in 1960, “Psycho” is a critically acclaimed psychological thriller directed by Alfred Hitchcock. This iconic film, based on a novel of the same name by Robert Bloch, has captivated audiences for over half a century with its suspenseful storyline, unforgettable characters, and groundbreaking cinematic techniques.

  4. Psycho is a 1960 American horror film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, and Martin Balsam.

  5. Mar 5, 2024 · Mass Media. Source: Primevideo.com. Alfred Hitchcock's "Psycho" is a timeless classic that continues to captivate audiences with its gripping storyline and iconic characters. As we delve into the fascinating world of "Psycho," we uncover a plethora of intriguing facts that shed light on the film's production, impact, and enduring legacy.

  6. Psycho, American suspense film and psychological thriller, released in 1960, that was directed by Alfred Hitchcock and is loosely based on the real-life killings of Wisconsin serial murderer Ed Gein. (Read Alfred Hitchcock’s 1965 Britannica essay on film production.) After secretary Marion Crane.

    • Lee Pfeiffer
  7. www.imdb.com › title › tt0054215Psycho (1960) - IMDb

    Psycho: Directed by Alfred Hitchcock. With Anthony Perkins, Vera Miles, John Gavin, Janet Leigh. A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother.

  8. Dec 6, 1998 · Before Sam Loomis reappears, teamed up with Marion's sister Lila to search for her, "Psycho" already has a new protagonist: Norman Bates. This is one of the most audacious substitutions in Hitchcock's long practice of leading and manipulating us. The rest of the film is effective melodrama, and there are two effective shocks.

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