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Race. Asagai: …You came up to me and you said…. “Mr. Asagai—I want very much to talk with you. About Africa. You see, Mr. Asagai, I am looking for my identity! (He laughs) (Act 1, Scene 2) Asagai recalls his first meeting Beneatha at school when Beneatha approached him to talk about Africa, seeing that he was knowledgeable on the subject.
Overview. A Raisin in the Sun , written by Lorraine Hansberry and first performed in 1959, is a groundbreaking play that explores the struggles of a Black American family living in Chicago’s South Side during the 1950s. The story revolves around the Younger family, who are awaiting a $10,000 life insurance check following the death of the father.
Quick answer: The themes in A Raisin in the Sun can be directly tied to the Black Lives Matter movement because the movement brings attention to the many ways prejudice impacts the Black community ...
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Analysis: Act 1: Scene 3. This scene presents two conflicts and concerns for the Youngers and their future. First, the incident with Mr. Lindner of the Clybourne Park Improvement Association reveals the power of both dreams and racial prejudice. Mr. Lindner’s comments do not intimidate the members of the Younger family.
Mr. Karl Lindner represents the racism of white American society, and yet he does not think he is racist. In fact, he views himself as reasonable and forward-thinking. It seems Mr. Lindner’s friends and neighbors have a similar opinion of him, as they choose Mr. Lindner to talk the new Black family out of moving into their all-white neighborhood.
Full Play Analysis. A Raisin in the Sun is centered around the persistent deferral of the Younger family’s dreams. The Youngers are a working-class Black family with various dreams of upward mobility. Walter wants to take control of his life, restore his sense of masculinity, make his family proud, and eventually take on a new role as head of ...
Analysis: Act 1: Scene 2. While the play takes place entirely within the Youngers’ apartment, Hansberry takes care to introduce external influences. This scene includes two phone calls: one for Walter from Willy about the liquor store investment and the other for Beneatha from Joseph Asagai, her good friend and fellow intellectual.
