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    • Mein Herz Brennt (Mutter, 2001) Epic. Insidious. Utterly unstoppable. When Rammstein dropped their greatest hits collection Made In Germany 1995-2011, Mein Herz Brennt ('My Heart Burns', Mutter’s outstanding opener) was the only track featured not to have previously received a single release, and was promptly presented as the promo to sum up their career thus far.
    • Du Hast (Sehnsucht, 1997) Appearing on the mega-selling soundtrack to 1999’s The Matrix, Du Hast was one of the earliest introductions of Rammstein to the Western mainstream audience, and felt perfectly matched to the foreboding industrial aesthetic of that classic sci-fi romp.
    • Deutschland (untitled, 2019) Ten years since their last full-length release, Rammstein needed to return with a statement. Deutschland was just that. Provocatively named after the fatherland, the song delves into the band’s love/hate relationship with their home country, reaffirming their (obvious) nationalism but acknowledging that there are parts of Germany’s chequered past (and present) which they truly hate.
    • Sonne (Mutter, 2001) Starting life as an entrance theme for legendary heavyweight boxing champion (and current Ukranian politician) Vitali Klitschko, whose name was the song’s working title, Sonne would eventually transmogrify into the stand-out lead single to their greatest album.
    • Stripped (For The Masses, 1998) Depeche Mode and pinched harmonics. Shouldn’t really work, should it? Nobody told Rammstein, and we’re rather chuffed they didn’t.
    • Dalai Lama (Reise, Reise, 2004) The third track from Rammstein’s fourth album is not about the Dalai Lama – it’s about aeroplanes. It’s also one of Reise, Reise’s more sonically unsettling moments, Till’s whisper jumping to a roar through its five-minute run-time.
    • Stirb Nicht Vor Mir (Don’t Die Before I Do) (Rosenrot, 2005) Another Rosenrot ballad, and one that’s often got an unfair shake of the stick due to Texas singer Sharleen Spiteri’s impassioned guest vocals, sung in English against Till’s sombre German.
    • Zwitter (Mutter, 2001) Departing from Till’s usual bassy choruses, Zwitter’s main sing-along glistens against your ear-holes in a high-pitched, dare-we-say nice fashion.
    • Rammstein
    • Links 2-3-4
    • Mutter
    • Rosenrot
    • Amerika
    • Haifisch
    • Mein Herz Brennt
    • Engel
    • Deutschland
    • Du Hast

    The band’s first-ever song, “Rammstein,” is about a 1988 air disaster at the Rammstein Air Force Base – one that inspired the band’s moniker. The track is from the 1995 album Herzeleid and starts with ambient electronics, half-speed helicopter sounds, and an eerie keyboard line. Then, Rammstein rips into the main, climactic rhythm that propels the ...

    With lefty lyrics that reference Bertold Brecht’s “Einheitsfrontlied,” which was written for the Communist Party of Germany, “Links 2-3-4,” was an early response to reactionary criticism that Rammstein were neo-Nazis. Some people don’t know irony when they hear it. The jackboot marching that opens the cut and roaring crowd sounds that punctuate the...

    Having established themselves as a formidable leader of the Neue Deutsche Härte (New German Hardness) scene, Rammstein spread their flaming wings with the title track for Mutter. The song opens with infant noises, a delicate guitar arpeggio, and melodic clean vocals, which complement the heavy, mid-paced chorus. As if to emphasize their disinterest...

    The title track from Rammstein’s 2005 album Rosenrot downplays blasting rage in favor of simmering angst. The band drives home its poignant tone with a repeating three-note bassline and melodic baritone vocals. As the track builds, an undercurrent of blippy sound effects, vocal harmonies, and mournful strings enter the mix. At the end of the track,...

    If it wasn’t Rammstein’s raison detre, “Amerika” was at least a euphoric hit single recorded in 2003 during Rammstein’s most prolific period (one that yielded the fourth full-length, Reise, Reise and much of the material for its follow-up Rosenrot). Like their more musically intricate 2019 opus, “Deutschland,” “Amerika” is a bittersweet tribute to ...

    There’s a reason the members of Rammstein step in front of the curtain at the end of every show sans instruments and bow like a Broadway cast. These guys love live theater and integrate themes from the art form. “Haifisch,” a highlight of Rammstein’s sixth album Liebe ist für alle da (2009) starts with dramatic horns and references Bertold Brecht’s...

    The opening track from Rammstein’s third album Mutterstarts with sorrowful strings and low, half-spoken vocals. The tension builds as drums and keys join the cellos and violins. Then, the song abruptly ignites with heavy, distorted guitars and swooping synth lines that sound like a cross between Wagner and Led Zeppelin’s “Kashmir.” The entire track...

    The most memorable facet of Sehnsucht’s “Engel” is the cinematic Western-style whistling that launches the song and recurs throughout. While the crunchy, palm-muted metal guitars make it one of Rammstein’s heavier numbers, “Engel” also features delicate female vocals gurgling New Order-ish keyboards, an undercurrent of sound effects, a swooping key...

    Starting with a jittery, triplet-filled keyboard line that’s soon matched on electric guitar reminiscent of Iron Maiden, “Deutschland” expertly combines instantly recognizable elements from metal and industrial dance music to create an epic and cinematic song. Lyrically, however, “Deutschland” isn’t nearly as euphoric, graphically expressing reserv...

    David Lynch certainly helped Rammstein reach American Shores with the Lost Highway soundtrack, but it was the propulsive, “Du Hast,” from the band’s second album, Sehnsuchtthat captivated Western audiences. Starting innocently enough with techno keys and electronic mosquitoes, the song bursts into a chuggy martial metal riff that’s worthy of the be...

    • Jon Wiederhorn
    • 5 min
    • Ohne Dich (Reise, Reise, 2004) Originally cooked up for inclusion on Mutter, this symphonic-tinged dirge didn’t cut the mustard, as the band didn’t fancy any more ballads.
    • Links 2-3-4 (Mutter, 2001) Since Herzeleid, Rammstein had been accused of far-right sympathies. Links 2-3-4 refutes that in the most Rammstein fashion possible.
    • Keine Lust (Reise, Reise, 2004) For a song with lyrics as apathetic as this (‘Ich habe keine Lust mich nicht zu hassen, hab' keine Lust mich anzufassen’ roughly translates to ‘I don't feel like not hating myself, don't feel like touching myself’), Keine Lust sure is fun.
    • Adios (Mutter, 2001) Mutter’s first half is packed full of singles, and Adios’ back-end placement within the album absolutely does not reflect its quality.
  2. May 18, 2023 · This is our list of which we think are the Top 30 Greatest RAMMSTEIN songs of all time. Comment below if we missed any in the list, it is very hard to limit ...

    • 13 min
    • 630
    • Creative Alliance Music
  3. Without further ado, here are Rammstein top 10 tracks of all time: 1. Sonne. Rammstein. 2. Du hast. Rammstein. 3. Deutschland. Rammstein. 4. Engel. Rammstein. 5. Feuer frei! Rammstein. 6. Ich will. Rammstein. 7. Amerika. Rammstein. 8. Mein Herz brennt. Rammstein. 9. Ausländer. Rammstein. 10. Dicke Titten. Rammstein Details.

  4. Feb 6, 2021 · Commercially, the band has been very successful, earning many No. 1 album as well as gold and platinum certifications in countries around the world. Here are all of Rammsteins songs ranked. Don’t miss out on the TIMELESS Rammstein music below! Click to experience the power of Industrial Metal!

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