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  1. Sep 5, 2016 · TIFF16: In the Bloodis a strong debut with a touch of Joachim Trier. Danish screenwriter Rasmus Heisterberg makes a strong directorial debut with In the Blood, which takes inspiration from the films of Joachim Trier. Courtesy of TIFF. In a dream, medical student Simon (Kristoffer Bech) sees himself and his best friend Knud (Elliott Crosset Hove ...

  2. Edit page. In the Blood: Directed by Rasmus Heisterberg. With Kristoffer Bech, Susana Hermansen Valenzuela, Nana Kirstine Bruhn-Rasmussen, Elliott Crosset Hove. Four students buy an apartment together in Nørrebro, Copenhagen, and move in together. We follow their 20s, their ups and downs and the loneliness they discover after they split.

  3. Rasmus Heisterberg (born 12 December 1974) is a Danish screenwriter. Heisterberg was born in Copenhagen, Denmark and attended the National Film School of Denmark . [1] He was a writer on The Girl with the Dragon Tattoo (2009) A Royal Affair (2012).

  4. Rasmus Heisterberg was born on 12 December 1974 in København, Denmark. He is a writer, known for A Royal Affair (2012), The Girl with the Dragon Tattoo (2009) and In the Blood (2016).

    • Rasmus Heisterberg
    • December 12, 1974
  5. Oct 10, 2016 · After penning the screenplays for 21 films, Danish writer-director Rasmus Heisterberg has turned his hand to directing with In the Blood, currently screening at the Warsaw Film Festival 11/10/2016 Christian Tafdrup’s psychological horror Speak No Evil ready for Sundance

  6. Oct 11, 2016 · by Vladan Petković. 11/10/2016 - After penning the screenplays for 21 films, Danish writer-director Rasmus Heisterberg has turned his hand to directing with In the Blood, currently screening at the Warsaw Film Festival. Writer-director Rasmus Heisterberg sat down with Cineuropa to discuss his first feature film, In the Blood [+.

  7. Oct 7, 2016 · Rasmus Heisterbergs I Blodet/In the Blood (2016), featuring four medical students from Copenhagen who finally have to become adults, is said to be a generation portrait of a restless youth and a critique of contemporary upper-class amorality.

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