Catherine Deneuve
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Feb 26, 2020 · Analysis of “Repulsion”. Repulsion is a 1965 psychological horror film directed by Roman Polanski and written by him, Gérard Brach, and David Stone (these latter two having written the screenplay). It is the first of Polanski’s ‘Apartment Trilogy’ of films, the second being Rosemary’s Baby and the third being The Tenant.
- Complex Post-Traumatic Stress Disorder
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- Complex Post-Traumatic Stress Disorder
Repulsion is a 1965 British psychological horror thriller film directed by Roman Polanski, and starring Catherine Deneuve.Based on a story written by Polanski and Gérard Brach, the plot follows Carol, a withdrawn, disturbed young woman who, when left alone in the apartment she shares with her sister, is subject to a number of nightmarish experiences.
- 10 June 1965 (United Kingdom)
- Gene Gutowski
Jan 3, 2013 · Repulsion – review. I t is one of Roman Polanski's most brilliant films: a deeply disturbing, horribly convincing psychological thriller that is also that rarest of things: a scary movie in ...
In Roman Polanski's first English-language film, beautiful young manicurist Carole (Catherine Deneuve) suffers from androphobia (the pathological fear of interaction with men). When her sister and ...
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- Catherine Deneuve
- Roman Polanski
- Horror
Repulsion, British psychological thriller film, released in 1965, directed by Roman Polanski and noted for the stellar lead performance of Catherine Deneuve.. Carol Ledoux (played by Deneuve) is a beautiful but fragile and mentally disturbed young woman from Belgium who lives with her sister Helen (Yvonne Furneaux) in London.
- Lee Pfeiffer
Jul 27, 2009 · Jul 27, 2009. W e enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a manicurist who bites her own nails, played by Catherine Deneuve, as insufficiently focused.
Jan 7, 1991 · In 1965, Repulsion was greeted as a brilliant, grisly potboiler that gave the thirty-two-year-old Polish filmmaker Roman Polanski commercial entree to the West. Some viewed it as Polanski’s riposte to Hitchcock’s Psycho. Three decades later, it’s evident that Polanski was always drawn to existential horror, and that his lucid moviemaking owes as much to Hollywood’s master writer ...
