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Reservoir Dogs (1992) Screenplay - Script Slug. Reservoir Dogs 1992 Film. Read the Script. Synopsis. A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse.
- Pulp Fiction
Read the Script. Synopsis. A burger-loving hit man, his...
- Kill Bill
Written by Quentin Tarantino.The Bride unwaveringly...
- Pulp Fiction
- QUENTIN TARANTINO
- 1 INT. UNCLE BOB'S PANCAKE HOUSE - MORNING 1
- NICE GUY EDDIE
- MR. BLUE
- MR. WHITE
- JOE
- NICE GUY EDDIE
- WAITRESS
- NICE GUY EDDIE
- MR. PINK (laughing)
- NICE GUY EDDIE
- MR. WHITE
- NICE GUY EDDIE
- MR. ORANGE
- CREDIT SEQUENCE:
- SOMEBODY ELSE (OS)
- SOMEBODY (OS)
- 3 INT. GETAWAY GAR (MOVING) - DAY 3
- MR. ORANGE
- MR. WHITE
- 5 INT. BATHROOM HALLWAY - DAY
- 7 INT. CAR (STOPPED) - DAY 7
- 8 EXT. STREET - DAY
- 9 INT. CAR (MOVING) - DAY 9
- 10 INT. BATHROOM - DAY 10
- MR. PINK
- 11 INT. WAREHOUSE - DAY 11
- MR. WHITE
- MR. WHITE'S POV:
- MR. WHITE (OS)
- MR. WHITE (OS) He asked.
- MR. WHITE (OS) Of course.
- END OF POV
- Mr. Pink YELLS as he HITS:
- VOICE (OS)
- MR. BLONDE (referring to Mr. White) What's this guy's problem?
- MR. WHITE (to Mr. Blonde) So you wanna git bit, huh?
- 13 EXT. WAREHOUSE - DAY 13
- 14 INT. JOE CABOT'S OFFICE - DAY 14
- TEDDY
- VIC
- EDDIE
- 15 INT. NICE GUY EDDIE'S CAR (MOVING) - DAY 15
- 18 WAREHOUSE 18
- 20 EXT. WAREHOUSE - DAY 20
- 21 INT. WAREHOUSE - DAY 21
- EDDIE
- MR. PINK MR. WHITE
- EDDIE
- EDDIE
- EDDIE (OS)
- EDDIE
- MR. BLONDE
- EDDIE
- 22 INT. WAREHOUSE - DAY - MR. BLONDE AND COP 22
- C.U. COP'S FACE.
- COP
- COP'S POV
- 24 INT. WAREHOUSE - DAY 24
- COP
- JEFFREY
- MR. ORANGE
- JEFFREY
- 25 INT. DENNY'S - NIGHT 25
- FREDDY (O.S.)
- HOLDAWAY
- CU ON HOLDAWAY
- FREEZE FRAME ON HOLDAWAY
- FREDDY (O.S.)
- HOLDAWAY
- FREDDY
- HOLDAWAY FREDDY
- FREDDY
- FREDDY
- 28 INT. MEN'S ROOM - L.A. TRAIN STATION - NIGHT 28
- HOLDAWAY
- HOLDAWAY
- 29 INT. FREDDY'S APARTMENT - DAY 29
- FREDDY
- 30 EXT. PARKING LOT - DAY 30
- FREDDY
- 31 INT. BOOTS AND SOCKS BAR - NIGHT 31
- FREDDY
- MEDIUM ON FREDDY
- FREDDY (V.O.)
- FREEZE FRAME
- FREDDY (V.O.)
- FREDDY (V.O.)
- SLOW MOTION
- FREDDY (V.O.)
- FREEZE FRAME
- SHERIFF #2
- SHERIFF #2 (O.S.) (CONT’D)
- SHERIFF #2
- CU OF FREDDY
- CU OF MACHINE
- FULL SCENE
- CU OF COMPUTER SCREEN
- C.U. OF COMPUTER PRINTER
- 36 INT. HOLDAWAY'S OFFICE - DAY 36
- JODIE (OS)
- MEDIUM SHOT OF JODIE
- JODIE
- FREDDY
- JODIE
- JODIE
- FREDDY
- HOLDAWAY (OS)
- C.U. TELEPHONE
- FREDDY
- 36 INT. NICE GUY EDDIE'S CAR (PARKED) - DAY 36
- EDDIE
- 39 INT. FREDDY'S APARTMENT - DAY 39
- EDDIE
- FREDDY
- EDDIE
- EDDIE
- 42 EXT. WAREHOUSE - DAY 42
- 43 INT. WAREHOUSE - DAY
- EDDIE
- JOE
- 44 EXT. BLEACHERS - DAY 44
- HOLDAWAY
- HOLDAWAY
- FREDDY
- HOLDAWAY
- FREDDY
- HOLDAWAY
- FREDDY
- HOLDAWAY
- HOLDAWAY
- FREDDY (VO)
- 46 INT. MR. WHITE'S CAR (PARKED) - DAY 46
- FREDDY
- 47 EXT. ALLEY - DAY 47
- BREAKING...
- I'm sorry.
- RUNS.
- C.U. ON FREDDY
- 48 INT. GETAWAY CAR (MOVING) - DAY 48
- CRYING.
- FREDDY
- 49 INT. NICE GUY EDDIE'S CAR (MOVING) - DAY 49
- EDDIE
- EDDIE
- 50 INT. WAREHOUSE - DAY 50
- EDDIE
- EDDIE
- MR. ORANGE'S POV
- MR. ORANGE (OS)
- EDDIE
- MEDIUMS ON EVERYBODY
- FOUR SHOT
- EDDIE
- POLICE FORCE (OS)
- BANG
This movie is dedicated to these following sources of inspiration: TIMOTHY CAREY ROGER CORMAN ANDRE DeTOTH CHOW YUEN FAT JEAN LUC GODDARD JEAN PIERRE MELVILLE LAWRENCE TIERNEY LIONEL WHITE
Eight men dressed in BLACK SUITS, sit around a table at a breakfast cafe. They are MR. WHITE, MR. PINK, MR. BLUE, MR. BLONDE, MR. ORANGE, MR. BROWN, NICE GUY EDDIE CABOT, and the big boss, JOE CABOT. Most are finished eating and are enjoying coffee and conversation. Joe flips through a small address book. Mr. Pink is telling a long and involved...
You don't remember "True Blue?" That was a big ass hit for Madonna. Shit, I don't even follow this Tops In Pops shit, and I've at least heard of "True Blue." MR. ORANGE Look, asshole, I didn't say I ain't heard of it. All I asked was how does it go? Excuse me for not being the world's biggest Madonna fan.
like her early stuff. You know, "Lucky Star," "Borderline" - but once she got into her "Papa Don't Preach" phase, I don't know, I tuned out. MR. PINK Hey, fuck all that, I'm making a point here. You're gonna make me lose my train of thought. JOE Oh fuck, Toby's that little china girl. MR. WHITE What's that? JOE I found this old address book in a ...
MR. PINK Then one day she meets a John Holmes motherfucker, and it's like, whoa baby. This mother fucker's like Charles Bronson in "The Great Escape." He's diggin tunnels. Now she's gettin this serious dick action, she's feelin something she ain't felt since forever. Pain. JOE Chew? Toby Chew? No. MR. PINK It hurts. It hurts her. It shouldn...
MR. PINK Fuck you, wrong. I'm right! What the fuck do you know about it anyway? You're still listening to Jerry-fucking-Vale. JOE Not wrong, dumb ass, Wong! You know, like the Chinese name? Mr. White snatches the address book from Joe's hand. They fight, but they're not really mad at each other. MR. WHITE Give me this fucking thing. JOE What t...
Have you guys been listening to K- BILLY's super sounds of the seventies weekend? MR. PINK Yeah, it's fuckin great isn't it? NICE GUY EDDIE Can you believe the songs they been playin? MR. PINK No, I can't. You know what I heard the other day? "Heartbeat - It's Lovebeat," by little Tony DeFranco and the DeFranco Family. I haven't heard that since ...
Can I get anybody more coffee. JOE No, we're gonna be hittin it. I'll take care of the check. She hands the bill to him. WAITRESS Here ya go. Please pay at the register, if you wouldn't mind. JOE Sure thing. WAITRESS You guys have a wonderful day. They all mutter equivalents. She exits and Joe stands up. JOE I'll take care of this, you guys leave...
Okay, everybody cough up green for the little lady. Everybody whips out a buck, and throws it on the table. Everybody, that is, except Mr. White. NICE GUY EDDIE (CONT’D) C'mon, throw in a buck. MR. WHITE Uh-uh. I don't tip. NICE GUY EDDIE Whaddaya mean you don't tip?
I love this kid, he's a madman, this guy. MR. BLONDE Do you have any idea what these ladies make? They make shit. MR. WHITE Don't give me that. She don't make enough money, she can quit. Everybody laughs.
I don't even know a Jew who'd have the balls to say that. So let's get this straight. You never ever tip?
I don't tip because society says I gotta. I tip when somebody deserves a tip. When somebody really puts forth an effort, they deserve a little something extra. But this tipping automatically, that shit's for the birds. As far as I'm concerned, they're just doin their job. MR. BLUE Our girl was nice. MR. WHITE Our girl was okay. She didn't do an...
I'd go over twelve percent for that. MR. WRITE Look, I ordered coffee. Now we've been here a long fuckin time, and she's only filled my cup three times. When I order coffee, I want it filled six times. MR. BLONDE What if she's too busy? MR. WHITE The words "too busy" shouldn't be in a waitress's vocabulary. NICE GUY EDDIE Excuse me, Mr. White, b...
JOE (to Mr. Orange) Shut up! (to Mr. White) Cough up the buck, ya cheap bastard, I paid for your goddamn breakfast. MR. WHITE Because you paid for the breakfast, I'm gonna tip. Normally I wouldn't. JOE Whatever. Just throw in your dollar, and let's move. (to Mr. Blonde) See what I'm dealing with here. Infants. I'm fuckin dealin with infants. The ...
When the credit sequence is finished, we FADE TO BLACK: Over the BLACK we hear the sound of SOMEONE SCREAMING in agony. Under the screaming, we hear the sound of a car HAULING ASS, through traffic. Over the screams and the traffic noise, we hear SOMEBODY
Just hold on buddy boy. Somebody stops screaming long enough to say: ELSE SAY:
I'm sorry. I can't believe she killed me. Who would've fuckin thought that? CUT TO:
The Somebody screaming is Mr. Orange. He lies in the backseat. He's been SHOT in the stomach. BLOOD covers both him and the backseat. Mr. White is the Somebody Else. He's behind the wheel of the getaway car. He's easily doing 80 mph, dodging in and out of traffic. Though he's driving for his life, he keeps talking to his wounded passenger in ...
MR. WHITE Bet your sweet ass we are. Mr. White gets up from over Mr. Orange and starts to prowl around the warehouse. MR. ORANGE (yelling) Don't leave me! Mr White bends back over him and takes his hand. MR. WHITE I ain't going anywhere. I'm right here. I'm not gonna leave ya. MR. ORANGE Larry, I'm so scared, would you please hold me. Mr. White v...
I can' take you to a hospital. MR. ORANGE Fuck jail! I don't give a shit about jail. But I can't die. You don't have to take me in. Just drive me up to the front, drop me on the sidewalk. I'll take care of myself. I won't tell them anything. I swear to fucking god, I won't tell 'em anything. Look in my eyes, look right in my eyes. (Mr. Whit...
5 At the end of the hall is a bathroom. The bathroom door is partially closed, restricting our view. Mr. Pink is obscured, but Mr. White is in view. MR. PINK (OS) What the fuck am I doing here? I felt funny about this job right off. As soon as I felt it I should said "No thank you", and walked. But I never fucking listen. Every time I ever go...
The CAMERA is in the backseat. A SHOCKED WOMAN is the car's driver. Mr. Pink pulls himself up from the hood, shakes it off, and points his magnum at the driver. MR. PINK Get outta the car! Get the fuck outta the car! The Shocked Woman starts screaming. Mr. Pink tries to open the driver's side door, but it's locked. MR. PINK (CONT’D) Open the fuck...
DOLLY with Cops coming up fast. Mr. Pink DRAGS the Shocked Woman out of the car. The Cops reach the corner, guns aimed. 8 Using the car as a shield, Mr. Pink FIRES three shots at the Cops. Everybody HITS the ground, or scatters. Mr. Pink HOPS in the car. Cops FIRE.
CAMERA in the backseat, Mr. Pink FLOORS it. SPEEDING down the street, with the Cops FIRING after him. BACK TO:
Mr. Pink and Mr. White still talking in the bathroom. MR. PINK Tagged a couple of cops. Did you kill anybody? MR. WHITE A few cops. MR. PINK No real people? MR. WHITE Uh-uh, just cops. MR. PINK Could you believe Mr. Blonde? MR. WHITE That was one of the most insane fucking things I've ever seen. Why the fuck would Joe hire somebody like that?
don't wanna kill anybody. But if gotta get out that door, and you're standing in my way, one way of the other, you're gettin outta my way. MR. WHITE That's the way I look at it. A choice between doin ten years, and takin out some stupid motherfucker, ain't no choice at all. But I ain't no madman either. What the fuck was Joe thinkin? You can't...
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
We hear a BURST of SHOTGUN FIRE. Mr. White is BLOWN out of frame, leaving it empty.
People also ask
Does Quentin Tarantino have a screenplay for Reservoir Dogs?
What is the plot of Reservoir Dogs?
Where can I buy Reservoir Dogs by Quentin Tarantino?
Oct 22, 1990 · Reservoir Dogs Script Resources: Reservoir Dogs Script PDF at Script Slug. Reservoir Dogs Script at The Daily Script. Reservoir Dogs Script - 1990-10 Draft at IMSDb. Reservoir Dogs Script - Shooting script. October 22, 1990 at Screenplays For You. Reservoir Dogs Script PDF at Script Fly ($)
Voila! Finally, the Reservoir Dogs script is here for all you quotes spouting fans of the Quentin Tarantino movie. This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Reservoir Dogs.
The Internet Movie Script Database (IMSDb) The web's largest movie script resource! ... Reservoir Dogs Writers: Quentin Tarantino Genres: Action Crime Thriller
Reservoir Dogs. Synopsis: A group of thieves assemble to pull of the perfect diamond heist. It turns into a bloody ambush when one of the men turns out to be a police informer. As the group begins to question each other's guilt, the heightening tensions threaten to explode the situation before the police step in. Genre: Crime, Drama, Thriller.
Sep 3, 2015 · The original screenplay of Reservoir Dogs by Quentin Tarantino. Depending on the issue you get, it has an introduction and it has some of the characters a bit mixed up, because it is sometimes not the final shooting draft (which isn't even available I think). You should really own this script, because its a nice book to read and has great dialoge.
