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  1. Aug 25, 2017 · Jinny Mule - Big Maybelle. 11. Old Faithful and True Love - Earl 'Connelly' King. 12. Fun Fun - Lloyd Nolen. 13. Jack of All Trades - Eugene Church. 14. Road Runner - Bo Diddley.

  2. Aug 2, 2005 · 100 Rhythm & Blues Classics by Various Artists released in 2005. Find album reviews, track lists, credits, awards and more at AllMusic.

  3. Apr 2, 2024 · January 1971. Funk Soul Rhythm & Blues. Jazz-Funk Psychedelic Soul. instrumental rhythmic psychedelic passionate. Crying Time. Ray Charles. 3.71 197 5. March 1966. Rhythm & Blues Soul.

    • Albert Collins: Ice Pickin’ (Alligator, 1978) Born Albert Gene Drewery in Texas and nicknamed “The Ice Man,” Collins was a cousin of blues maven Lightnin’ Hopkins but was inspired to sing and take up the guitar after hearing a John Lee Hooker record.
    • Albert Collins, Robert Cray, and Johnny Copeland: Showdown! (Alligator, 1985) A feel-good collaboration between two Texas veteran guitar slingers and newcomer, Cray, Showdown!
    • Albert King: Born Under A Bad Sign (Stax, 1967) The Memphis-based Stax label was synonymous with earthy southern R&B but in 1967 it racked-up several blues hit singles thanks to Mississippi-born singer/guitarist Albert King.
    • Albert King: King Of The Blues Guitar (Atlantic, 1969) Affectionately nicknamed the “Velvet Bulldozer” due to his silky smooth voice and imposing physique (he stood 6’4” tall and reputedly weighed 250lbs), Albert King rose to fame in the second half of the 1960s with his Born Under A Bad Sign album.
  4. The History Of Rhythm And Blues The History of Rhythm and Blues comes in four box sets, each comprising four CDs, with every track and artist annotated in detail in the richly informative, splendidly illustrated booklets that come with each set. This is a labour of love, and a work of genuine scholarship, but it is also hugely entertaining.

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  6. Apr 19, 2024 · rhythm and blues, term used for several types of postwar African-American popular music, as well as for some white rock music derived from it. The term was coined by Jerry Wexler in 1947, when he was editing the charts at the trade journal Billboard and found that the record companies issuing Black popular music considered the chart names then in use (Harlem Hit Parade, Sepia, Race) to be ...

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