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    • Biography of Richard Hamilton, English Pop Art Pioneer
      • Richard Hamilton is often credited as the father of Pop Art. His concepts and works influenced the movement in both the U.K. and the U.S. The piece "Just what is it that makes today's homes so different, so appealing" from 1956 is usually identified as the first true Pop Art piece. It is a collage using images cut out of American magazines.
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  2. Aug 24, 2015 · Hamiltons collage is often described as the first work of Pop Art, perhaps even its manifesto. The actual image of the ad, showcasing a new linoleum product for a company called...

    • Childhood
    • Early Training
    • Mature Period
    • Late Period
    • The Legacy of Richard Hamilton

    Richard Hamilton was born into a working class family in Pimlico, London, where his father was a driver at a car dealership. As a child, Hamilton later recalled, "I suppose I was a misfit. I decided I was interested in drawing when I was 10. I saw a notice in the library advertising art classes. The teacher told me that he couldn't take me - these ...

    In 1946 the school reopened, and Hamilton returned to the Royal Academy. He recalls, however, that by that time "it was run by a complete mad man, Sir Alfred Munnings, who used to walk about the place with a whip and jodhpurs. It was scary." Before long he was expelled for failing to comply with the school's regulations and for "not profiting from ...

    In the 1950s Hamilton was a particularly important member of the Independent Group who met at the ICA in the 1950s. He took on a number of teaching posts, including at Central Saint Martins, London, and Kings College, Newcastle. In 1956, he was instrumental in defining the aims of "This is Tomorrow", the seminal exhibition at the Whitechapel Galler...

    In the 1970s, Hamilton started a relationship with Rita Donagh, a painter whom he had taught in Newcastle. He later described her as "a favorite student of mine." His work began to focus on print-making processes and he also worked in collaboration with other artists, creating, for example, a series of works with the German artist Dieter Roth. He a...

    Nearly every artist involved in the first wave of British Pop was shaped meaningfully by Hamilton's vision for the future of the movement. His impact on his British pupils Peter Blake and David Hockney is especially evident, but he also left his mark on the American Pop artists such as Andy Warhol and Roy Lichtenstein, whom he got to know and occas...

    • British
    • February 24, 1922
    • London, England
    • September 13, 2011
  3. Sep 13, 2011 · View all 65 artworks. Richard Hamilton lived in the XX – XXI cent., a remarkable figure of British Pop Art. Find more works of this artist at Wikiart.org – best visual art database.

    • British
    • February 24, 1922
    • London, United Kingdom
    • September 13, 2011
  4. Jan 25, 2021 · Stories. Richard Hamilton: the pioneer of British Pop Art. Posted 25 Jan 2021, by Chris Mugan. As with fellow Pop Art pioneer Andy Warhol, Richard Hamilton 's roots in commercial art would have a major impact on his artistic career.

  5. Hamilton's definition of Pop Art from a letter to Alison and Peter Smithson dated 16 January 1957 was: "Pop Art is: popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business", stressing its everyday, commonplace values.

  6. www.artnet.com › artists › richard-hamiltonRichard Hamilton | Artnet

    Richard Hamilton was an English artist known for producing some of the earliest works of Pop Art. View Richard Hamiltons 2,596 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available prints and multiples, photographs, and sculpture for sale and learn ...

  7. He was one of the prime practitioners of the critic Lawrence Alloway's theory of a 'fine/pop art continuum'. Hamilton interpreted this as meaning that 'all art is equal - there was no hierarchy of value. Elvis was to one side of a long line while Picasso was strung out on the other side ...

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