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  1. By Robert Frost. Two roads diverged in a yellow wood, And sorry I could not travel both. And be one traveler, long I stood. And looked down one as far as I could. To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear;

  2. Robert Frost. 1874 –. 1963. Two roads diverged in a yellow wood, And sorry I could not travel both. And be one traveler, long I stood. And looked down one as far as I could. To where it bent in the undergrowth; Then took the other, as just as fair,

  3. The Road Not Taken” has become well known for its perceived encouragement to take the “[road] less traveled by.” In other words, many people interpret this poem as a call to blaze new trails and break away from the status quo.

  4. Later in the poem, the speaker calls the road he chose “less traveled,” and it does initially strike him as slightly grassier, slightly less trafficked. As soon as he makes this claim, however, he doubles back, erasing the distinction even as he makes it: “Though as for that the passing there / Had worn them really about the same.”

  5. By Robert Frost. Share. Two roads diverged in a yellow wood, And sorry I could not travel both. And be one traveler, long I stood. And looked down one as far as I could. To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear;

  6. So the road he will later call less traveled is actually the road equally traveled. The two roads are interchangeable. Orr concluded by noting: "It is a poem about the necessity of choosing that somehow, like its author, never makes a choice itself—that instead repeatedly returns us to the same enigmatic, leaf-shadowed crossroads."

  7. The popular belief is that Frost meant for this poem to be about hope, success, and defying the odds by choosing a path well, “less traveled by.” On the other hand, if the poem is reviewed, it is quite obvious that it has fairly the opposite connotation. It is Robert Frosts first poem in his book “Mountain Interval” (1916).

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