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Combines (1954–64) “Combine” is a term Rauschenberg invented to describe a series of works that combine aspects of painting and sculpture. Virtually eliminating all distinctions between these artistic categories, the Combines either hang on the wall or are freestanding. With the Combine series, Rauschenberg endowed new significance to ...
In expanding upon the artist’s legacy, the Robert Rauschenberg Foundation celebrates new and even untested ways of thinking and acting. The Foundation supports research, institutions, and artists that embody the same collaborative, inclusive, and multidisciplinary approach that Rauschenberg exemplified in both his art and philanthropic endeavors.
The Robert Rauschenberg Foundation launched the residency program in 2012–13 with a series of five pilot residencies that served to inform and shape the program. There are eight four- and five-week residencies a year that serve ~100 artists and scholars. The residency is by invitation.
The Rauschenberg Residency is a creative center that welcomes artists of all disciplines from around the world to live, work, and create. The Robert Rauschenberg Foundation Archives Research Residency is an opportunity for researchers and scholars interested in visiting the Rauschenberg Foundation and its Archives in New York City.
Monogram. Monogram (1955–59) belongs to the series of Combines that Rauschenberg made between 1954 and 1964. A term coined by Rauschenberg, Combines merged aspects of painting and sculpture to become an entirely new artistic category. Art critic Leo Steinberg observed that the orientation of the Combines challenged the traditional concept of ...
The performance history dating through 1997 is based on the version that appears in Walter Hopps and Susan Davidson, Robert Rauschenberg: A Retrospective (New York: Solomon R. Guggenheim Foundation, 1997). Based on new research, the document has been updated by Jennifer Sarathy with staff at the Robert Rauschenberg Foundation.
The Foundation supports research, institutions, and artists that embody the same collaborative, inclusive, and multidisciplinary approach that Rauschenberg exemplified in both his art and philanthropic endeavors. 381 Lafayette Street. New York, NY 10003. Phone: 212.228.5283 Fax: 212.995.8022.
