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Salinger is a 2013 American documentary film about the reclusive writer J. D. Salinger directed and produced by Shane Salerno. The film tells the story of Salinger's life through interviews with friends, historians, and journalists. The film premiered at the 40th annual Telluride Film Festival [2] and had a second premiere on the opening night ...
- $650,675
- Shane Salerno
- The Story Factory
- Lorne Balfe
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What makes 'My Salinger Year' a good movie?
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Which movies owe a debt to JD Salinger?
Mar 8, 2021 · An air of possibility permeates “My Salinger Year,” the kind one typically inhales in their younger days, wondering with impatience and curiosity what the future might hold. The wide-eyed pull of this sensation is so powerful in the otherwise mild and docile film’s early moments that you can’t help but ease into the story’s allure at ...
Mar 5, 2021 · My Salinger Year: Directed by Philippe Falardeau. With Margaret Qualley, Sigourney Weaver, Douglas Booth, Seána Kerslake. A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.
- (6.2K)
- Drama
- Philippe Falardeau
- 2021-03-05
OCLC. 287628. Dewey Decimal. 813.54. The Catcher in the Rye is a novel by American author J. D. Salinger that was partially published in serial form in 1945–46 before being novelized in 1951. Originally intended for adults, it is often read by adolescents for its themes of angst and alienation, and as a critique of superficiality in society.
- J. D. Salinger
- United States
- 1951
- English
Jul 31, 2018 · When Salinger died, critic and poet Henry Allen brilliantly said “Hemingway was a writer who made unhappiness beautiful. Salinger took it a step further — with the same uncanny ability to evoke the world his characters move through, he made it a virtue.” This list examines 10 movies that undoubtedly owe a considerable debt to JD Salinger. 10.
Sep 6, 2013 · Salinger, to his credit, takes the letter. This movie is like that guy. It's a relentless assault on a man who wished to be left alone. Now, every documentary is in love with, or has hatred for, its subject. The good ones know how to be objective, or at least fake a sense of objectivity.
