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The Persistence of Memory (Spanish: La persistencia de la memoria) is a 1931 painting by artist Salvador Dalí and one of the most recognizable works of Surrealism.First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor.
- 24 cm × 33 cm (9.5 in × 13 in)
- Salvador Dalí
- 1931
Melting clocks. Much has been made of these melting pocket watches, and rightfully so—they are unique to Salvador Dali’s work, and are the most memorable objects in this painting. When asked about them, Dali simply said they were inspired by melting cheese, but looking at Dali’s work as a whole, we can see there’s a bit more to them ...
The Persistence of Memory (La persistencia de la memoria), also known as Soft Watches or Melting Clocks, is one of Dalí’s most famous pieces. The piece is small, measuring just 9.5 × 13 inches (24 × 33 cm). Several of Dalí’s favorite recurring images are present in this work.
Aug 4, 2020 · The Persistence of Memory (1931) by Spanish artist and Surrealist icon Salvador Dalí is one of the rare works of art that can be conjured with the mention of two simple words: melting clocks.
Dec 12, 2023 · The Persistence of Memory (1931) is one of the most iconic and recognizable paintings of Surrealism. Frequently referenced in popular culture, the small canvas (24x33 cm) is sometimes known as “Melting Clocks”, “The Soft Watches” and “The Melting Watches”.
With its uncanny, otherworldly feel, and its melting pocket watches and mollusk-like central figure strewn about a barren landscape, Salvador Dalí’s The Persistence of Memory seems wholly imaginary. In fact, it sprang not only from the artist’s imagination, but also from his memories of the coastline of his native Catalonia, Spain.
Jul 13, 2023 · The iconic 1931 work depicts a series of clock faces that appear to be melting in a seaside landscape hauntingly barren except for a leaf-less tree, a couple of simple architectural structures, and a distorted, globular form resembling the face of a sleeping human with incredibly long