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  1. Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story.

  2. ORIGINS. RELATIONSHIPS AND GENDER. FURTHER READING. In the mid-1930s a new film genre, screwball comedy, arose in American cinema. Based upon the old "boy-meets-girl" formula turned topsy-turvy, it generally presented the eccentric, female-dominated courtship of an upper-class couple.

  3. Mar 19, 2024 · Screwball comedies are a genre of comedy that originated in the 1930s and 1940s in film and later in television. They are characterized by fast-paced, witty dialogue, farcical situations, and a romantic storyline that often involves a battle of the sexes.

  4. Feb 19, 2018 · The combination of these humorous factors often resulted in on-screen chaos, and that later gave the new genre its name — the screwball comedy, after a then-popular term to describe an unpredictable pitch by a baseball pitcher. In addition, by the mid-1930s most theaters had been updated to exhibit sound films, allowing dialogue to become a ...

  5. Matt Crawford 0. Screwball comedy is a subgenre of comedy film that emerged in the early 1930s during the Great Depression. Characterized by fast-paced repartee, farcical situations, and often a battle of the sexes theme, it’s where highbrow meets lowbrow in an anarchic blend of wit and slapstick.

  6. Feb 23, 2018 · By Matthew Jacobs. Feb 23, 2018, 05:46 AM EST. | Updated Feb 23, 2018. LEAVE A COMMENT. Illustration: Gabriela Landazuri/HuffPost Image: Warner Bros. Who knew one pet leopard would forever change Hollywood? In 1938, at the height of the screwball comedys popularity, Katharine Hepburn palled around with a colossal cat in “Bringing Up Baby.”

  7. Feb 12, 2015 · Flourishing in the 1930s and early 40s, screwball comedies were a breed of quick-talking romantic farces that fused silliness with sophistication in ways that still have the power to stupefy audiences. How can we keep up with dialogue that goes so fast? Or with an urbane wit that takes no prisoners?

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