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  1. Harvill Secker - Wikipedia › wiki › Harvill_Secker

    Secker & Warburg. Secker & Warburg was formed in 1935 from a takeover of Martin Secker, which was in receivership, by Fredric Warburg and Roger Senhouse. The firm became renowned for its political stance, being both anti-fascist and anti-communist, a position that put them at loggerheads with the ethos of many intellectuals of the time.

  2. Harvill Secker — Wikipedia Republished // WIKI 2 › en › Harvill_Secker

    Aug 25, 2020 · Secker & Warburg. Secker & Warburg was formed in 1935 from a takeover of Martin Secker, which was in receivership, by Fredric Warburg and Roger Senhouse. The firm became renowned for its political stance, being both anti-fascist and anti-communist, a position that put them at loggerheads with the ethos of many intellectuals of the time.

  3. Nineteen Eighty-Four - Wikipedia › wiki › Nineteen_Eighty-Four
    • Background and Title
    • Plot
    • Characters
    • World in Novel
    • Themes
    • Newspeak Appendix
    • Sources For Literary Motifs
    • Influences
    • Critical Reception
    • Adaptations in Other Media

    In 1944, Orwell began work which "encapsulate[d] the thesis at the heart of his... novel", which explored the consequences of dividing the world up into zones of influence, as conjured by the recent Tehran Conference. Three years later, he wrote most of the actual book on the Scottish island of Jura from 1947 to 1948 despite being seriously ill with tuberculosis. On 4 December 1948, he sent the final manuscript to the publisher Secker and Warburg, and Nineteen Eighty-Fourwas published on 8 June 1949. The Last Man in Europe was an early title for the novel, but in a letter dated 22 October 1948 to his publisher Fredric Warburg, eight months before publication, Orwell wrote about hesitating between that title and Nineteen Eighty-Four.Warburg suggested choosing the latter, which he took to be a more commercially viable choice for the main title. The introduction to the Houghton Mifflin Harcourt edition of Animal Farm and 1984 (2003) claims that the title 1984 was chosen simply as an in...

    In the year 1984, civilization has been damaged by world war, civil conflict, and revolution. Airstrip One (formerly known as Great Britain) is a province of Oceania, one of the three totalitarian super-states that rule the world. It is ruled by the "Party" under the ideology of "Ingsoc" (a Newspeak shortening of "English Socialism") and the mysterious leader Big Brother, who has an intense cult of personality. The Party brutally purges out anyone who does not fully conform to their regime using the Thought Police and constant surveillance through Telescreens(two-way televisions), cameras, and hidden microphones. Those who fall out of favour with the Party become "unpersons", disappearing with all evidence of their existence destroyed. In London, Winston Smith is a member of the Outer Party, working at the Ministry of Truth, where he rewrites historical records to conform to the state's ever-changing version of history. Winston revises past editions of The Times, while the original...

    Main characters

    1. Winston Smith – the protagonist who is a phlegmatic everymanand is curious about the past before the Revolution. 2. Julia – Winston's lover who is a covert "rebelfrom the waist downwards" who publicly espouses Party doctrine as a member of the fanatical Junior Anti-Sex League. 3. O'Brien– a member of the Inner Party who poses as a member of The Brotherhood, the counter-revolutionary resistance, to deceive, trap, and capture Winston and Julia. O'Brien has a servant named Martin.

    Secondary characters

    1. Aaronson, Jones, and Rutherford – former members of the Inner Party whom Winston vaguely remembers as among the original leaders of the Revolution, long before he had heard of Big Brother. They confessed to treasonable conspiracies with foreign powers and were then executed in the political purges of the 1960s. In between their confessions and executions, Winston saw them drinking in the Chestnut Tree Café—with broken noses, suggesting that their confessions had been obtained by torture. L...

    Unseen characters

    Whether these characters are real or fabrications of Party propaganda is something that neither Winston nor the reader is permitted to know: 1. Big Brother– the leader and figurehead of the Party that rules Oceania. 2. Emmanuel Goldstein – ostensibly a former leading figure in the Party who became the counter-revolutionary leader of the Brotherhood, and author of the book, The Theory and Practice of Oligarchical Collectivism. Goldstein is the symbolic enemy of the state—the national nemesis w...


    Ingsoc (English Socialism) is the predominant ideology and philosophy of Oceania, and Newspeak is the official language of official documents. Orwell depicts the Party's ideology as an oligarchicalworldview that "rejects and vilifies every principle for which the Socialist movement originally stood, and it does so in the name of Socialism."

    Ministries of Oceania

    In London, the capital city of Airstrip One, Oceania's four government ministries are in pyramids (300 m high), the façades of which display the Party's three slogans - "WAR IS PEACE", "FREEDOM IS SLAVERY", "IGNORANCE IS STRENGTH". As mentioned, the ministries are deliberately named after the opposite (doublethink) of their true functions: "The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvat...

    Political geography

    Three perpetually warring totalitariansuperstates control the world in the novel: 1. Oceania (ideology: Ingsoc, known in Oldspeak as English Socialism), whose core territories are "the Americas, the Atlantic Islands, including the British Isles, Australasia and the southern portion of Africa." 2. Eurasia (ideology: Neo-Bolshevism), whose core territories are "the whole of the northern part of the European and Asiatic landmass from Portugal to the Bering Strait." 3. Eastasia (ideology: Obliter...


    Nineteen Eighty-Four expands upon the subjects summarised in Orwell's essay "Notes on Nationalism" about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In Nineteen Eighty-Four, the Party's artificial, minimalist language 'Newspeak' addresses the matter. 1. Positive nationalism: For instance, Oceanians' perpetual love for Big Brother. Orwell argues in the essay that ideologies such as Neo-Toryism and Celtic nationalismare defined by their o...


    In the book, Inner Party member O'Brien describes the Party's vision of the future:


    One of the most notable themes in Nineteen Eighty-Four is censorship, especially in the Ministry of Truth, where photographs and public archives are manipulated to rid them of "unpersons" (people who have been erased from history by the Party).On the telescreens, almost all figures of production are grossly exaggerated or simply fabricated to indicate an ever-growing economy, even during times when the reality is the opposite. One small example of the endless censorship is Winston being charg...

    The Principles of Newspeak is an academic essay appended to the novel. It describes the development of Newspeak, an artificial, minimalistic language designed to ideologically align thought with the principles of Ingsoc by stripping down the English language in order to make the expression of "heretical" thoughts (i.e. thoughts going against Ingsoc's principles) impossible. The idea that a language's structure can be used to influence thought is known as linguistic relativity. Whether or not the Newspeak appendix implies a hopeful end to Nineteen Eighty-Four remains a critical debate. Many claim that it does, citing the fact that it is in standard English and is written in the past tense: "Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised" (p. 422). Some critics (Atwood, Benstead, Milner, Pynchon) claim that for Orwell, Newspeak and the totalitarian governments are all in the past.

    Nineteen Eighty-Four uses themes from life in the Soviet Union and wartime life in Great Britain as sources for many of its motifs. Some time at an unspecified date after the first American publication of the book, producer Sidney Sheldon wrote to Orwell interested in adapting the novel to the Broadway stage. Orwell sold the American stage rights to Sheldon, explaining that his basic goal with Nineteen Eighty-Fourwas imagining the consequences of Stalinist government ruling British society: According to Orwell biographer D. J. Taylor, the author's A Clergyman's Daughter (1935) has "essentially the same plot of Nineteen Eighty-Four... It's about somebody who is spied upon, and eavesdropped upon, and oppressed by vast exterior forces they can do nothing about. It makes an attempt at rebellion and then has to compromise". The statement "2 + 2 = 5", used to torment Winston Smith during his interrogation, was a communist party slogan from the second five-year plan, which encouraged fulfi...

    During World War II, Orwell believed that British democracy as it existed before 1939 would not survive the war. The question being "Would it end via Fascist coup d'état from above or via Socialist revolution from below?"Later, he admitted that events proved him wrong: "What really matters is that I fell into the trap of assuming that 'the war and the revolution are inseparable'." Nineteen Eighty-Four (1949) and Animal Farm (1945) share themes of the betrayed revolution, the individual's subordination to the collective, rigorously enforced class distinctions (Inner Party, Outer Party, Proles), the cult of personality, concentration camps, Thought Police, compulsory regimented daily exercise, and youth leagues. Oceania resulted from the US annexation of the British Empire to counter the Asian peril to Australia and New Zealand. It is a naval power whose militarism venerates the sailors of the floating fortresses, from which battle is given to recapturing India, the "Jewel in the Crow...

    When it was first published, Nineteen Eighty-Four received critical acclaim. V. S. Pritchett, reviewing the novel for the New Statesman stated: "I do not think I have ever read a novel more frightening and depressing; and yet, such are the originality, the suspense, the speed of writing and withering indignation that it is impossible to put the book down." P. H. Newby, reviewing Nineteen Eighty-Four for The Listener magazine, described it as "the most arresting political novel written by an Englishman since Rex Warner's The Aerodrome." Nineteen Eighty-Four was also praised by Bertrand Russell, E. M. Forster and Harold Nicolson. On the other hand, Edward Shanks, reviewing Nineteen Eighty-Four for The Sunday Times, was dismissive; Shanks claimed Nineteen Eighty-Four "breaks all records for gloomy vaticination". C. S. Lewis was also critical of the novel, claiming that the relationship of Julia and Winston, and especially the Party's view on sex, lacked credibility, and that the settin...

    In the same year as the novel's publishing, a one-hour radio adaptation was aired on the United States' NBC radio network as part of the NBC University Theatre series. The first television adaptation appeared as part of CBS's Studio One series in 1953. The first feature-length adaptation, 1984, was released in 1956. A second feature-length adaptation, Nineteen Eighty-Four,followed in 1984; it received critical acclaim for its reasonably faithful adaptation of the novel. The story has been adapted several other times to radio, television, and film; other media adaptations include theater, opera, and ballet.

    • George Orwell
    • 328
    • 1949
    • 8 June 1949
  4. Searchlight Books - Wikipedia › wiki › Searchlight_Books

    From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. Searchlight Books was a series of essays published as hardback books, edited by T. R. Fyvel and George Orwell. The series was published by Secker & Warburg. The series was projected for 17 titles, of which ten were published during 1941-42, but bomb damage to Warburg's office and the destruction of his printer's paper stock led to the series being discontinued.

  5. Harvill Secker - Wikipedia › wiki › Secker_and_Warburg

    Secker & Warburg a fost formată în anul 1935 prin preluarea editurii deținute de Martin Secker, care era în stare de faliment, de către Fredric Warburg și Roger Senhouse. Firma a devenit renumită pentru poziția sa politică, fiind atât antifascistă, cât și anticomunistă , o poziție care a adus-o în conflict cu mulți intelectuali ...

  6. Facing Mount Kenya - Wikipedia › wiki › Facing_Mount_Kenya

    Secker and Warburg (London) Publication date. 1938. Media type. Print ( Paperback) Pages. 339. Facing Mount Kenya, first published in 1938, is an anthropological study of the people of the Kikuyu ethnicity of central Kenya. It was written by native Kikuyu and future Kenyan president Jomo Kenyatta.

  7. Wikizero - Harvill Secker › en › Secker_and_Warburg

    Secker & Warburg . Secker & Warburg was formed in 1935 from a takeover of Martin Secker, which was in receivership, by Fredric Warburg and Roger Senhouse. The firm became renowned for its political stance, being both anti-fascist and anti-communist, a position that put them at loggerheads with the ethos of many intellectuals of the time.

  8. Harvill Secker - WikiMili, The Best Wikipedia Reader › en › Harvill_Secker

    Secker & Warburg Secker & Warburg was formed in 1935 from a takeover of Martin Secker, which was in receivership, by Fredric Warburg and Roger Senhouse. The firm became renowned for its political stance, being both anti-fascist and anti-communist, a position that put them at loggerheads with the ethos of many intellectuals of the time.

  9. Secker and Warburg : definition of Secker and Warburg and ... › Secker and Warburg › en-en

    Definitions of Secker and Warburg, synonyms, antonyms, derivatives of Secker and Warburg, analogical dictionary of Secker and Warburg (English) ... Wikipedia - see also.

  10. A critical history of English literature (1969 edition ... › books › OL21419218M

    Dec 22, 2011 · A critical history of English literature. 1969, Secker and Warburg. in English - 2nd ed. 0436121069 9780436121067. aaaa. Borrow Listen. Download for print-disabled.

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