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King Lear Lear, the aging king of Britain, decides to step down from the throne and divide his kingdom evenly among his three daughters. First, however, he puts his daughters through a test, asking each to tell him how much she loves him. Goneril and Regan, Lear’s older daughters, give their father flattering answers.
King Lear Summary King Lear divides his kingdom among the two daughters who flatter him and banishes the third one who loves him. His eldest daughters both then reject him at their homes, so Lear goes mad and wanders through a storm. His banished daughter returns with an army, but they lose the battle and Lear, all his daughters and more, die.
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King Lear Shakespeare’s story of a king who divides his realm between his three daughters probes the depths of human suffering and despair. First staged in 1606, for centuries King Lear was thought too bleak to perform, but its nihilism has heavily influenced modern drama. Read a character analysis of Lear, plot summary, and important quotes.
King Lear: Plot Summary The story opens in ancient Britain, where the elderly King Lear is deciding to give up his power and divide his realm amongst his three daughters, Cordelia, Regan, and Goneril.
King Lear: plot summary King Lear has a plot and subplot which neatly and closely complement each other. The main plot centres on the ageing King Lear, who begins the play by dividing up his kingdom between his three daughters, only to disinherit one of them, Cordelia, when she refuses to tell him that she loves him.
King Lear intends to divide his kingdom among his three daughters, so that he can enjoy old age without the burdens of power.
King Lear is a tragedy play written by William Shakespeare. It is a depiction of the slow descent into insanity of the main character King Lear. This occurs after his disposal of his kingdom through bequests to two of his daughters due to their perpetual flattery.
King Lear, tragedy in five acts by William Shakespeare, written in 1605–06 and published in a quarto edition in 1608, evidently based on Shakespeare’s unrevised working papers. The text of the First Folio of 1623 often differs markedly from the quarto text and seemingly represents a theatrical revision done by the author with some cuts ...