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  1. The album includes a long list of genres, including no wave, free jazz, chamber music, modern classical, psychedelic rock, bedroom pop, noise rock, reggae, indie folk, lo-fi hip hop, surf-pop, indie pop, avant rock, dub, and baroque pop.

    • 42:03
    • October 6, 2023
    • Jasper Marsalis, Andrew Lappin, Nicky Wetherell
    • Warp
  2. Oct 6, 2023 · EXCELSIOR by Slauson Malone 1, released 06 October 2023 1. The Weather 2. House Music 3. Undercommons 4. Olde Joy 5. New Joy 6. Arms, Armor 7. Fission for Drums, Piano and Voice 8. Love Letter Zzz 9. Half-Life 10. The Great Wedge 11. I Hear A New World 12. No! (Geiger Dub) 13. Destroyer X 14. Voyager 15. Divider 16. Challenger 17. Decades ...

  3. Oct 16, 2023 · Label: Warp. Reviewed: October 16, 2023. The New York producer’s second album is a dense and dizzying suite of collages that invites close listening. Excelsior is Jasper Marsalis’ first album under...

  4. Sep 22, 2020 · On the album was a song called “Smile #4,” a woozy track with despondent, pitch-modulated vocals from the rapper Baby Rampage. Malone used it as the catalyst for his new album, Vergangenheitsbewältigung (Crater Speak); he created “Smile #5 (see page 103 and 107)” as its first song toward the end of last year. “I felt like there was ...

  5. Dec 26, 1995 · December 26, 1995 in Los Angeles, CA. Genre. Rap, Pop/Rock. Styles. Left-Field Rap, Alternative Rap, Experimental Rock, Alternative/Indie Rock. Member Of. Medslaus, Standing on the Corner. Submit Corrections. Explore Slauson Malone 1's discography including top tracks, albums, and reviews. Learn all about Slauson Malone 1 on AllMusic.

  6. 9. 8 views 1 minute ago. Slauson Malone 1 discusses the making of his new record “EXCELSIOR”, finding inspiration in boredom, building an Ondes Martenot in Max for Live, and so much more in ...

    • 16 min
    • 6.5K
    • Cycling '74
  7. Oct 5, 2023 · The title of the album itself is a reference to continuous growth, Slauson Malone 1 turning the lens on himself to allow a rare look into an ever-changing and mutating exploration of self. It’s purposely chaotic and skeletal in places, but when the disjointed pieces are viewed as one, you get an album that is a fascinating and hypnotic listen.

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