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Feb 22, 1998 · Mer Girl Lyrics. 18.4K. About “Ray of Light”. Ray of Light is Madonna ’s acclaimed seventh studio album. Shortly after giving birth to her first child and just before turning 40, Madonna ...
Mar 2, 1999 · Madonna, Marius de Vries & 1 more “Nothing Really Matters” is a song by American singer-songwriter Madonna taken from her seventh studio album, Ray of Light. It is the album’s fifth and ...
Ray of Light is the seventh studio album by American singer-songwriter Madonna, released in early 1998 by Maverick Records.A major stylistic and aesthetic departure from her previous work, Bedtime Stories, Ray of Light is an electronica and techno-pop record which incorporates multiple genres, including ambient, trip hop, psychedelic music and Middle Eastern music, while also seeing Madonna ...
- June–November 1997
- February 22, 1998
Feb 22, 2023 · Madonna's 'Ray of Light': Songs on the 1998 album ranked worst to best, including "Frozen," "The Power of Goodbye" and more. ... Marius De Vries serves as co-producer, while regular Madonna cohort ...
- “Shanti/Ashtangi”
- “Little Star”
- “Candy Perfume Girl”
- “To Have and Not to Hold”
- “Swim”
- “Drowned World/Substitute For Love”
- “Nothing Really Matters”
- “Mer Girl”
- “Has to Be”
- “Skin”
A yoga techno prayer that, 25 years after its release, raises all sort of red flags in terms of cultural appropriation, “Shanti/Ashtangi” nonetheless effectively serves as a spiritual way station—a sonic bardo, if you will—between Ray of Light’s ecstatic, comparably upbeat first half and its darker, more melancholic final tracks. Cinquemani
In paying tribute to her first child on “Little Star,” Madonna also engages with the loss of her own mother—a parental parallel that doesn’t come into full focus until the album’s closing track. Here, she sings, “God gave a present to me/Made of flesh and bones,” imagery that’s later echoed on “Mer Girl,” which references her mother’s “burning fles...
Despite its reputation for being an electronic album, Ray of Light is chockablock with guitars, guitar samples, and synthesizers masquerading as guitars. “Candy Perfume Girl” has got all three in spades, not to mention a drum loop lifted from EPMD, all in service of a gritty, industrial rock-infused slice of trip-hop. Lyrically, it’s the closest th...
An extension of the album’s multi-genre and multi-cultural sensibility, “To Have and Not to Hold” deftly meshes a Sanskrit mantra with a bossa nova beat. While this serene ballad hews closer to the lyrical conventions of a breakup song, the way it weaves personal loss with spiritual awakening tees up the album’s closing pair of deeply personal down...
One of at least four songs on Ray of Light that evoke water, “Swim” cleverly employs guitar pedal effects, waves of synths, and other aquatic burbles to conjure the feeling of being submerged as Madonna describes a world on the brink. Water is, of course, a symbol of purification and salvation, and the singer’s then-newly polished voice capably rea...
Layered with vocal samples and buoyant drum ‘n’ bass, Ray of Light’s opening salvo, “Drowned World/Substitute for Love,” pointedly but poignantly sums up Madonna’s personal tribulations with fame and, perhaps coincidentally, the pitfalls of getting what you want: “I got exactly what I asked for/Running, rushing back for more…And now I find, I’ve ch...
Lyrically the simplest of Ray of Light’s earnest spiritual lessons, “Nothing Really Matters” chugs along with revelatory abandon—adorned with producers William Orbit and Marius De Vries’s skittering electronic noise and wobbly hiccups but also a bouncy bassline, infectious beat, and the most exhilarating piano break in a Madonna song since the exte...
“Mer Girl,” the album’s final track, is a surreal meditation on mortality and the death of Madonna’s mother that was reportedly written stream-of-consciously while the singer was visiting her family in Michigan for the holidays. “The earth took me in her arms/Leaves covered my face/Ants marched across my back,” she sings, summoning and unfurling de...
Ray of Light may have marked the queen’s return to her throne, but it was her reunion with longtime songwriting partner Patrick Leonard, as well as William Orbit’s more subdued ambient soundscapes, that elevated the project above a mere electronica cash-in. Putting the law of attraction to the test, “Has to Be,” a bonus track on the Japanese editio...
“Skin” is rife with tension and contradiction, pushing and pulling between the physical and the metaphysical, visceral urgency and spiritual wistfulness, and the perspectives of two partners longing to draw closer to each other. Amid a thrumming trance beat, alien synth sounds, and pitch-delayed guitars, Madonna asks, “Do I know you from somewhere?...
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Marius de Vries (born 1961) is an ... He also co-wrote the song "Start a Fire" alongside John Legend, Justin Hurwitz, ... Ray of Light: Album of the Year: Nominated
Feb 22, 2018 · The songwriter emphasizes she has no beef with Madonna; she feels the superstar understood exactly what “Candy Perfume Girl” was about, and that she made a brilliant record. “But had I ...
