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  1. Details. Title: Sophie Taeuber-Arp dancing. Zurich, c. 1917. Credit Line: Stiftung Arp e.V., Berlin/Rolandswerth. Get the app. Explore museums and play with Art Transfer, Pocket...

  2. Jul 3, 2014 · In a recent landmark exhibition on the intersection of art and dance, Danser sa vie, the Centre Georges Pompidou displayed an enigmatic photograph identified as the artist Sophie Taeuber dancing at the Cabaret Voltaire in 1916.

    • Summary of Sophie Taeuber-Arp
    • Accomplishments
    • Biography of Sophie Taeuber-Arp

    Sophie Taeuber-Arp was a key figure in many of the important movements of the pre-World War II art scene in Europe, and was one of the most active figures around the Café Voltaire in Zurich. She dedicated her career to breaking down static, artificial boundaries between genres and forms, and celebrating the creative energy such liberation released....

    Taeuber-Arp was one of the signers of the Dada Manifesto and remained dedicated to the ideas of Dadathroughout her career. She applied Dada to a wide range of forms, fully embracing the utopian imp...
    Taeuber-Arp desired to break down the boundaries between applied and fine arts. She translated principles from one genre into another, creating beautiful and groundbreaking hybrids. For example, he...
    She also explored the relationship between fine art and performance - working with dance, movement and masks. She sought to bring the ideas of Dada and Abstraction to dance and puppetry, contrastin...

    Childhood

    Sophie Henriette Gertrude Taeuber was the fifth child in a middle-class Prussian family. Her father, Emil Taeuber, was a pharmacist who died of tuberculosis when Taeuber-Arp was still a child. Her mother, Sophie Taeuber-Krusi, opened a Bed and Breakfast in Trogen, Switzerland to support the family.

    Early Training

    Taeuber studied drawing at the School of Applied Arts in Saint Gallen, Switzerland from 1908 to 1910, but desired exposure to a wider range of ideas, and headed to Germany to study textile design. In Germany, her schooling reflected her interest in diverse fields and her unhappiness with strict boundaries and programs, as she bounced back and forth between the Teaching and Experimental Studio for Applied and Liberal Arts in Munich and the School of Applied Arts in Hamburg. She studied not onl...

    Mature Period

    By 1915, she had returned to Zurich where her sister lived. She began to create non-representational paintings and sculptures, influenced by her training in textile design and Cubism. At the same time, she continued her work in the applied arts and her study of modern dance. The French artist and poet Hans Arphad taken refuge in Switzerland because of the First World War, and the two met in the fall of 1915. They began collaborating on artistic works, and romance followed. Her life at this ti...

    • Swiss
    • January 19, 1889
    • Davos, Switzerland
    • January 13, 1943
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  4. In the same year, she attended the Laban School of Dance in Zürich, and in the summer she joined the artist colony of Monte Verita in Ascona; in 1917, she danced with Suzanne Perrottet, Mary Wigman and others at the Sun Festival organised by Laban in Ascona. [8] .

    • Swiss
  5. Amah-Rose Abrams: I love this photograph of what we believe is Sophie Taeuber dancing in Zurich at the opening of Galerie Dada in 1917. I’m Amah-Rose Abrams. I'm an art writer and journalist. We can't see her face. She's wearing a huge mask, and she's wearing just the most wonderful dress.

  6. Nov 21, 2021 · In 1918, Taeuber-Arp was commissioned by the school’s director to design marionettes for a modern adaptation of the 18th-century commedia dell’arte play King Stag; celebrated by her contemporaries, these painted turned-wood figures appeared in a variety of avant-garde publications during her lifetime.

  7. Nov 26, 2021 · Figure thought to be Sophie Taeuber-Arp performing an abstract dance set to sound poems by Hugo Ball at the opening of the Galerie Dada, Zurich, 1917. MoMA cites the “Cubist-inspired...

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