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  1. Predictable, derivative, and sometimes preposterous, "Split" benefits largely from McAvoy's nuanced performance as well as Shyamalan's usual last-minute surprises. "Split" feels like an 'origins' film. Not only is the protagonist a villain, but he also remains at large. The heroine is one of his hostages.

  2. www.imdb.com › title › tt4972582Split (2016) - IMDb

    Jan 20, 2017 · Split: Directed by M. Night Shyamalan. With James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu Richardson. Three girls are kidnapped by a man with a diagnosed 23 distinct personalities.

    • (530K)
    • Horror, Thriller
    • M. Night Shyamalan
    • 2017-01-20
  3. www.rottentomatoes.com › m › split_2016Split | Rotten Tomatoes

    Mar 18, 2017 · SPLIT is a film for anyone who has struggled under the heavy burden of patriarchy. Stunning cinematography, stellar acting, rich dialogue, an unforgettable story, just beautiful.

    • (5)
    • Deborah Kampmeier
    • Drama
    • Amy Ferguson
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  5. Nov 16, 2016 · Film Review: ‘Split’. A welcome return to form from 'The Sixth Sense' director M. Night Shyamalan, whose unhinged new mind-bender is a worthy extension of his early work. By Peter Debruge ...

  6. Split. (2016 American film) Split is a 2016 American psychological thriller film written, directed and produced by M. Night Shyamalan, and starring James McAvoy, Anya Taylor-Joy, and Betty Buckley. The film follows a man with dissociative identity disorder who kidnaps and imprisons three teenage girls in an isolated underground facility.

    • $9 million
  7. Apr 6, 2017 · A Shyamalan return-to-form feels less like a comeback and more like reincarnation. Or a release from a decade-and-a-half of wacky psychiatric internment. There was something about The Visit, his last movie before this one, that lent credence to that theory. It felt like he’d been away for a while.

  8. Shyamalan has had quite an up-and-down career; in 2016 he tested the waters with the small-scale The Visit, and he now makes a bold return to his Sixth Sense and Unbreakable glory days. Split actually resembles the latter film in some ways, rooted in real-world theories about the elastic limits of human possibility.

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