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  2. Here you go http://www.katedralasvatehovita.cz/cs/duchovni-zivot/pravidelne-bohosluzby. There are three masses on Sunday - at 8:00, 9:30 and 11:00 - all in the main church, which is quite large. Masses don't get crowded, except possibly at Christmas - the Czech Republic is officially the most atheist country in Europe.

  3. Bulletin, Mass Times & Events. Upcoming Events. Sunday Masses. 7 a.m. Low Mass. 9 a.m. High Mass. 11 a.m. High Mass with bilingual homily. 5 p.m. Vespers. 6 p.m. Low Mass with bilingual homily. Weekday Masses.

  4. Oct 30, 2023 · The grand organ of Saint Vitus Cathedral, with over 4,500 pipes up to six metres in length, is considered one of the most valuable in the Czech Republic. The cathedral’s Great Southern Tower, which is nearly 100 metres high, offers an outstanding view of Prague.

  5. Summer Season (April 1 to October 31): 9 am to 5 pm. Winter Season (November 1 to March 31): 9 am – 4 pm. Architecture: The cathedral is a prominent example of Gothic architecture, with elements of Baroque and Renaissance styles. UNESCO World Heritage Site: Since 1992. Number of visitors per year: Over 2 million.

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  6. From 29,90 € Buy the ticket. St. Vitus Cathedral (Czech Katedrála: sv. Víta Václava in Vojtecha) is the largest and most majestic church in Prague. It is the spiritual symbol of the Czech Republic and one of the most fascinating buildings within the castle complex.

  7. Nov 3, 2020 · The foundations of today’s cathedral were laid in 1344 by the Bohemian King and Holy Roman Emperor Charles IV, who was inspired by the monumental cathedrals of France. Construction was completed in 1929, exactly 1,000 years after the death of the most important Czech patron, St. Wenceslas. Once you are standing in the heart of the cathedral ...

  8. Sep 7, 2017 · Archbishop’s Chapel. The Archbishop’s Chapel, one of the first on the north side aisle, contains the most majestic stained glass windows. This piece was produced by Czech, Art Nouveau master painter, Alfons Mucha. Created in the early 1930s, the piece was commissioned for the Millennium Jubilee of St. Wenceslas’ death.

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