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  1. Stanley Ralph Ross - Wikipedia

    en.wikipedia.org › wiki › Stanley_R

    Stanley Ralph Ross (July 22, 1935 – March 16, 2000) was an American writer and actor. He was raised in Brooklyn New York , starting his career in advertising With Chudacoff and Margulis Advertising in West Los Angeles, then soon going to work as a writer on various television shows such as the 1960s Batman series starring Adam West and also The Monkees , and developed Wonder Woman for television with Douglas S. Cramer .

  2. Stanley Ralph Ross — Wikipedia Republished // WIKI 2

    wiki2.org › en › Stanley_Ralph_Ross

    Stanley Ralph Ross (July 22, 1935 – March 16, 2000) was an American writer and actor. He was raised in Brooklyn, New York, starting his career in advertising With Chudacoff and Margulis Advertising in West Los Angeles, then soon going to work as a writer on various television shows such as the 1960s Batman series starring Adam West and also The Monkees, and developed Wonder Woman for ...

  3. Stanley Ross - Wikipedia

    en.wikipedia.org › wiki › Nicholas_Meiers

    Stanley Ross was a moniker used by American indie songwriter Nicholas Meiers based in Chicago, Illinois. Meiers is also the owner/operator of Nodak Records, a split seven inch vinyl label based in Chicago. Meiers began performing as Stanley Ross, solo or with a band, in 2004. He has performed in numerous bands over the years including Lardo ...

  4. Stanley Ralph Ross – Wikipédia, a enciclopédia livre

    pt.wikipedia.org › wiki › Stanley_Ralph_Ross
    • Primeiros Anos
    • Cinema E Televisão
    • Outras Atividades
    • Morte
    • Referências

    Ross nasceu em Nova Iorque numa família judia e cresceu no bairro do Brooklyn.[3] Na juventude, tinha interesse em livros e música e, em 1956, mudou-se para Los Angeles, onde trabalhou inicialmente nos correios e, mais tarde, como redator em várias agências de publicidade.[4] Em 1963, compôs um álbum de paródias musicais intitulado My Son, the Copycat, no qual também explorou o humor judaico.[5]

    No âmbito cinematográfico, seus primeiros papéis foram um muezim na comédia John Goldfarb, Please Come Home! (1974) e um cantor árabe no drama The Flight of the Phoenix (1975). Também interpretou Sears Wiggles em Sleeper (1973), Dr. Kramer em Candy Stripe Nurses (1974), Sgt. Ross em Helter Skelter (1976), um ator em Romantic Comedy (1983) e apareceu como ele mesmo no mocumentário Burn Hollywood Burn (1998).[6] Na televisão, trabalhou como roteirista de várias atrações. Na década de 1960, escreveu mais de vinte episódios da série Batman, incluindo um no qual interpretou um personagem mudo chamado Ballpoint Baxter.[1][6] Embora mais reconhecido por seu trabalho na referida série, ele também roteirizou episódios de The Monkees, The Man from U.N.C.L.E., Columbo,[2] Tales from the Crypt e All in the Family,[7] cujo episódio "Oh, My Aching Back" rendeu-lhe uma indicação ao Emmy.[1] Ross envolveu-se em vários esforços para levar a heroína dos quadrinhos Mulher Maravilha à televisão. Em 196...

    Ross também era compositor e criou canções para a trilha sonora de alguns programas de televisão, tais como a série Columbo, na qual colaborou com músicos do calibre de Henry Mancini e Oliver Nelson.[9] Em 1977, compôs a música-tema da minissérie The Kalliaks, "Beat the System", cantada por Roy Clark.[10] Ross também fez uma incursão no teatro musical, escrevendo as letras, a música e o libreto do musical Chaplin, protagonizado por Anthony Newley.[2] Em colaboração com Jay Robert Nash, Ross é autor de The Motion Picture Guide, uma conjunto abrangente de enciclopédias de vários volumes, publicado pela primeira vez em meados da década de 1980,[11] contendo críticas e dados sobre praticamente todos os filmes feitos até o momento da publicação; mais tarde adquirido pela News Corp de Rupert Murdoch, foi lançado em CD-ROM e passou a formar o banco de dados cinematográficos do CD Cinemania, da Microsoft.[2] Ele também gravou audiolivros, como A Book of the Five Rings (baseado na obra O Liv...

    Stanley Ralph Ross morreu em Los Angeles em 16 de março de 2000, devido a um câncer de pulmão, deixando sua esposa Neila, três filhos e uma neta.[2] Foi enterrado no Hillside Memorial Park and Mortuary, em Culver City, na Califórnia.[7]

  5. Art Ross - Wikipedia

    en.wikipedia.org › wiki › Art_Ross

    Ross began his career as a hockey coach in the midst of his playing days, when at age 25 he led the McGill University Redmen to a 4–2–1 record during the 1910–11 season. In 1915, Art Ross was the Coach of The Canadian Grenadier Guards Hockey Club. Following his playing career, Ross became a NHL referee.

  6. Stanley Ralph Ross - IMDb

    www.imdb.com › name › nm0743853

    Stanley Ralph Ross, Writer: All in the Family. Spent several years in advertising, first writing for show business was the Beach Party Movies, then moved on to write every 4th episode of Batman (1966), multiple episodes for The Monkees (1966), The Man from U.N.C.L.E. (1964), All in the Family (1971), Columbo (1971), Banacek (1972), Kids Incorporated (1984). Began creating and/or developing ...

  7. Stanley Ralph Ross - Biography - IMDb

    www.imdb.com › name › nm0743853

    Acted as a regular in Falcon Crest (1981), Superior Court (1986), about 60 shows all together. More than 1000 commercials as a voice and was a regular voice on such cartoons as Red Planet (1994), Superman (1988), SuperFriends: The Legendary Super Powers Show (1984), Challenge of the Superfriends (1978), Ri¢hie Ri¢h (1982), and many more.

  8. The Accomplice (1917 film) - Wikipedia

    en.wikipedia.org › wiki › The_Accomplice_(1917_film)

    February 8, 1917. Running time. 50 minutes. Country. United States. Languages. Silent. English intertitles. The Accomplice is a 1917 American silent drama film directed by Ralph Dean and starring Dorothy Bernard, Jack Sherrill and Jean Stuart.

  9. Shoot a Crooked Arrow - Wikipedia

    en.wikipedia.org › wiki › Shoot_a_Crooked_Arrow
    • Plot
    • Cliffhanger Text
    • Notes

    In Batman's first episode of the second season, The Archer, a villain modeled after Robin Hood, escapes from Police Headquarters in a moving van from the Trojan Hearse Company, driven by Maid Marilyn. Together, with his band of "merry malefactors" - Crier Tuck and Big John (a play on Friar Tuck and Little John, respectively) - he pays a surprise visit to Wayne Manor. The inhabitants are gassed and cash is stolen. Later, the crew attacks Police Headquarters. When they are giving out other stolen cash they are apprehended by Batman and Robin. The Gotham citizens enriched by the muggers save them from arrest. Batman and Robin trace the Archer to his hideout at the Earl of Huntington Archery Range (Robin Hood was the alias of the Earl of Huntingdon) in Gotham's Green Forest section, where Alfred Pennyworthattempts to divert the antagonists long enough for Batman and Robin to inspect his lair. The two are trapped in a giant net. The Archer threatens to behead Alfred if he does not get th...

    DOTH THIS FOUL DEED SPELL FINIS FOR THE CAPED CRUSADERS?
    WILLST THE DYNAMIC DUO ESCAPE TO FIGHT AGAIN THE VILLAINOUS SWINE WHO THREATEN HOME AND HEARTH?
    TAKE HEART, CITIZENS. THE ANSWER TO THESE AND OTHER POINTED INQUIRIES TOMORROW!
    SAME BAT-TIME! SAME BAT-CHANNEL...!
    Art Carney (The Archer) is best known for his role of Ed Norton on The Honeymooners.
    Alfred was known as "the William Tell of Liverpool," and is an expert with the long-, short-, and crossbow.
    Episode production numbers appear at the end of the show's end credits throughout this season.
    A villain named "the Archer" first appeared in Superman #13 (November–December 1941). The criminal wore a green archer's costume and worked alone, extortingmoney from wealthy victims whom he would...
  10. Cultural influence of Gilbert and Sullivan - Wikipedia, the ...

    en.wikipedia.beta.wmflabs.org › wiki › Cultural
    • Musical Theatre and Comedy
    • Effect on Amateur Theatre
    • Politics, Government, and Law
    • Phrases from The Operas
    • Songs and Parodies
    • Literature
    • Television
    • Other Media
    • References
    • External Links

    The American and British musical owes a tremendous debt to Gilbert and Sullivan, who introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century.[6][7] According to theatre historian John Bush Jones, Gilbert and Sullivan were "the primary progenitors of the twentieth century American musical" in which book, music and lyrics combine to form an integrated whole, and they demonstrated "that musicals can address contemporary social and political issues without sacrificing entertainment value".[8] Gilbert's complex rhyme schemes and satirical lyrics served as a model for Edwardian musical comedy writers such as Adrian Ross and Owen Hall, and for such 20th century Broadway lyricists as P. G. Wodehouse,[9] Cole Porter,[10] Ira Gershwin,[11] Yip Harburg,[12] Lorenz Hart and Oscar Hammerstein II.[6] Even some of the plot elements from G&S operas entered subsequent musicals; for example, 1937's Me and My Girl features a portr...

    Cellier and Bridgeman wrote, in 1914, that prior to the creation of the Savoy operas, amateur actors were treated with contempt by professionals. After the formation of amateur Gilbert and Sullivan troupes in the 1880s licensed to perform the operas, professionals recognised that the amateur groups "support the culture of music and the drama. They are now accepted as useful training schools for the legitimate stage, and from the volunteer ranks have sprung many present-day favourites."[24] Cellier and Bridgeman attributed the rise in quality and reputation of the amateur groups largely to "the popularity of, and infectious craze for performing, the Gilbert and Sullivan operas".[25] The National Operatic and Dramatic Association was founded in 1899. It reported, in 1914, that nearly 200 British amateur troupes were producing Gilbert and Sullivan operas that year.[25] There continue to be hundreds of amateur groups or societies performing the Gilbert and Sullivan works worldwide.[26][27]

    It is not surprising, given the focus of Gilbert on politics, that politicians, cartoonists and political pundits have often found inspiration in these works.[28] The phrase "A short, sharp shock," from the Act I song "I am so proud" in The Mikado, has been used in political manifestoes. Likewise "Let the punishment fit the crime," from the title character's Act II song, is particularly mentioned in the course of British political debates.[2] Political humour based on Gilbert and Sullivan's style and characters continues to be written.[29] In 1996, Virginia Bottomley, heritage secretary under John Major, sent up Tony Blair in a parody of "When I Was a Lad" from Pinafore.[30] In October 2010, Ron Butler released a YouTube video pastiche of the Major-General's Song in character as, and mildly lampooning, President Obama.[31] U.S. Supreme Court Justice William Rehnquist, a lifelong fan of Gilbert and Sullivan, quoted lyrics from the operas in law cases, parodied the lyrics in his writi...

    Aside from politics, the phrase "A short, sharp shock" has appeared in titles of books and songs (most notably in samples of Pink Floyd's "The Dark Side of the Moon"). Likewise "Let the punishment fit the crime" is an often-used phrase in popular media. For instance, in episode 80 of the television series Magnum, P.I., entitled "Let the Punishment Fit the Crime," Higgins prepares to direct a selection of pieces from The Mikado to be staged at the Estate.[40] The phrase and the Mikado's song also are featured in the Dad's Army episode, "A Soldier's Farewell." In the movie The Parent Trap(1961) the camp director quotes the same phrase before sentencing the twins to the isolation cabin together. The character of Pooh Bah in The Mikado, who holds numerous exalted offices, including "First Lord of the Treasury, Lord Chief Justice, Commander-in-Chief, Lord High Admiral... Archbishop of Titipu, and Lord Mayor" and Lord High Everything Else, has inspired the use of the term Pooh-Bah as a mo...

    The works of Gilbert and Sullivan, filled as they are with parodies of their contemporary culture, are themselves frequently parodied or pastiched.[43][44] A notable example of this is Tom Lehrer's The Elements, which consists of Lehrer's rhyming rendition of the names of all the chemical elements set to the music of the "Major-General's Song" from Pirates. Lehrer also includes a verse parodying a G&S finale in his patchwork of stylistic creations Clementine ("full of words and music and signifying nothing", as Lehrer put it, thus parodying G&S and Shakespeare in the same sentence).[45] Comedian Allan Shermansang several parodies and pastiches of Gilbert and Sullivan songs in the 1960s, including: 1. "When I was a lad I went to Yale" (about a young advertising agent, based on the patter song from H.M.S. Pinafore, with a Dixieland arrangement - at the end, he thanks old Yale, he thanks the Lord, and he thanks his father "who is chairman of the board")[46] 2. "Little Butterball" (to t...

    In addition to reminiscences, picture books and music books by performers, conductors and others connected with, or simply about, the D'Oyly Carte Opera Company, the Light Opera of Manhattan, the J. C. Williamson Gilbert and Sullivan Opera Company and other Gilbert and Sullivan repertory companies,[83] numerous fictional works have been written using the G&S operas as background or imagining the lives of historical or fictional G&S performers.[84] Recent examples include Cynthia Morey's novel about an amateur Gilbert and Sullivan company, A World That's All Our Own (2006),[85] and Bernard Lockett's Here's a State of Things (2007), a historical novel that intertwines the lives of two sets of London characters, a hundred years apart, but both connected with the Gilbert and Sullivan operas.[86] Similarly, in The Getaway Blues by William Murray, the main character names all his racehorses after Gilbert and Sullivan characters and constantly quotes G&S.[87] Gilbert and Sullivan Set Me Fr...

    Gilbert and Sullivan, and songs from the operas, have been included in numerous TV series, including The Simpsons in several episodes, including "Cape Feare", "Deep Space Homer", and "Bart's Inner Child"; numerous Frasier episodes; Kavanagh QC, in the episode "Briefs Trooping Gaily", Angel in the fifth season episode "Conviction", where Charles Gunn becomes a good lawyer, and learns a lot of G&S, because it's "great for elocution"; numerous references in Animaniacs; the episode "The Cold Open" (1x02) of Studio 60 on the Sunset Strip;[79] the episode "Atonement" of Babylon 5; in the Australian soap opera Neighbours, Harold Bishop often makes G&S references; references in the VeggieTales episodes "Lyle the Kindly Viking," "The Wonderful World of Auto-Tainment," "The Star of Christmas" (a Christmas special entirely devoted to spoofing G&S and their operas), and "Sumo of the Opera"; Family Guy referred to and parodied G&S a number of times, especially in season four (beside the examples...

    The operas and songs from the operas have often been used or parodied in advertising.[44][147] According to Jones, "Pinafore launched the first media blitz in the United States" beginning in 1879.[148] For example, Gimbels department store had a campaign sung to the tune of the Major-General's Song that began, "We are the very model of a modern big department store."[73] Similarly, Martyn Green sang a pastiche of the song listing all of the varieties of Campbell's Soup.[74] Another prominent example is the elaborate illustrated book of parodies of Gilbert's lyrics advertising Guinness stout.[149] Trading cards were also created, using images from some of the operas to advertise various products.[150] There was also a series of Currier and Ives prints.[citation needed] Several series of cigarette cards were issued by Player's cigarette company depicting characters from the Savoy operas wearing the costumes used by the D'Oyly Carte Opera Company.[151] Numerous postcards were published...

    Arnold, David L. G. (2003). ""Use a pen, Sideshow Bob: The Simpsons and the Threat of High Culture". In Alberti, John (ed.). Leaving Springfield: The Simpsons and the Possibility of Oppositional Cu...
    Bradley, Ian (2005). Oh Joy! Oh Rapture!: The Enduring Phenomenon of Gilbert and Sullivan. Oxford, England: Oxford University Press. ISBN 0195167007.
    Bordman, Gerald. American Operetta: From H. M. S. Pinafore to Sweeney ToddOUP 1981.
    Coward, Noel (1953). The Noel Coward Song Book, London: Methuen
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