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  1. Star Trek Into Darkness

    Star Trek Into Darkness

    PG-132013 · Action · 2h 12m

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  1. Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. [3] It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as ...

  2. In London, Starfleet agent John Harrison (Benedict Cumberbatch) bombs a secret "Section 31" installation. In San Francisco, Pike and his first officer attend an emergency meeting of high-ranking officers at Starfleet headquarters. The meeting is attacked by a gunship piloted by Harrison, who kills Pike. Kirk destroys the gunship, but Harrison ...

  3. May 16, 2013 · Star Trek Into Darkness: Directed by J.J. Abrams. With Leonard Nimoy, Chris Pine, Zachary Quinto, Zoe Saldana. After the crew of the Enterprise find an unstoppable ...

    • J.J. Abrams
    • 16 sec
  4. Star Trek Into Darkness. Beyond the darkness, lies greatness. A series of terrorist attacks on Earth places Captain James T. Kirk on a mission to deal with the culprit. Nothing is as it seems, as the Starship Enterprise is entangled in covert machinations to ignite war between the Federation and the Klingon Empire, with an ancient enemy in the mix.

  5. May 16, 2013 · Rated: 3/4 • Sep 6, 2022. The crew of the Starship Enterprise returns home after an act of terrorism within its own organization destroys most of Starfleet and what it represents, leaving Earth ...

    • (297)
    • J.J. Abrams
    • PG-13
    • Chris Pine
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  7. May 3, 2013 · Film Review: ‘Star Trek Into Darkness’. Reviewed at AMC Loews 34th Street, May 2, 2013. MPAA Rating: PG-13. Running time: 132 MIN. Not to take anything away form the “Great Bird of The ...

  8. May 16, 2013 · For all its sloppiness and blind spots and fanboy pirouettes, though, "Star Trek Into Darkness" is still an involving film with more heart than most summer blockbusters. Abrams’ roots in TV ( Felicity, Alias, Lost) seem to have made him attentive to the dynamics of groups, and to the repeated phrases and gestures that bond viewers to characters.

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