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  1. Sep 6, 2014 · Suha Arraf was born in the Palestinian village of Melyia, near Lebanon. She began her filmmaking career as a documentary producer. Her latest work, Women of Hamas (2010), received 13 awards at international film festivals. Arraf’s first two screenplays, The Syrian Bride (2004) and The Lemon Tree (2008), both co-written and directed by Eran Riklis,...

  2. Sep 1, 2014 · Suha Arraf is best known as the screenwriter of the critically acclaimed Eran Riklis films The Syrian Bride (2004) and Lemon Tree (2008). She has also made three documentaries, the most recent of which – 2010's Women of Hamas – received 13 awards at international film festivals.

  3. www.imdb.com › name › nm1699780Suha Arraf - IMDb

    Suha Arraf. Producer: Villa Touma. Suha Arraf was born on 7 May 1969 in Mi'ilya, Israel. She is a producer and writer, known for Villa Touma (2014), Lemon Tree (2008) and Syrian Bride (2004).

    • January 1, 1
    • Producer, Writer, Director
    • Mi'ilya, Israel
    • Suha Arraf
  4. Aug 24, 2014 · Suha Arraf was born in the Palestinian village of Miliya, near Lebanon. She is the director, scriptwriter and producer of Villa Touma, her debut feature film, which tells the story of three Christian sisters in Ramallah during the early days of the Israeli occupation, and has been shortlisted for the 2014 Venice International Film Festival’s ...

  5. Arraf is referring to the controversy over her latest film, “Villa Touma.”. Though the film was financed in part with funds from the Israeli Film Fund and the majority of filming took place in ...

  6. Mar 28, 2022 · A new documentary series from director Suha Arraf, “Yomanah Shel Po’elet” (“Diary of a Worker”), is now being broadcast in Israel on Makan 33 (a public service channel aimed at the Arab community). The show offers a glimpse into the far-from-simple lives of female workers, who reveal how they have overcome hardships, crises and knocks.

  7. Oct 9, 2014 · Suha Arraf: That’s right. While Villa Touma is a very political film, the political is not in your face like in Lemon Tree. The occupation is not frontal. It’s the influence of the occupation of ’67 for people, especially for this bourgeois and aristocratic class in Ramallah and the West Bank. Nobody deals with this issue.

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