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  1. The 2021 Sundance Film Festival took place from January 28 to February 3, 2021. The first lineup of competition films was announced on December 15, 2020. Due to the COVID-19 pandemic in Utah, the festival combined in-person screenings at the Ray Theatre in Park City, with screenings held online as well as on screens and drive-ins in 24 states and territories across the United States.

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  2. Jan 28, 2021 · 24 must-see movies from the 2021 Sundance Film Festival. “Judas and the Black Messiah,” starring Daniel Kaluuya, center, is among the over 70 films set to premiere at the 2021 Sundance Film ...

    • Los Angeles Times Staff
  3. Feb 5, 2021 · Judas and the Black Messiah. Courtesy Sundance Institute. It feels like a cheat to include a major studio picture in a roundup of an independent film festival, but Shaka King’s scorching Judas ...

  4. Sundance, the last film festival to play in-full and in-person before the 2020 pandemic shutdown last year, returned for an all-virtual edition in 2021. Some of the biggest, buzziest Sundance 2021 movies included the directorial debuts of Rebecca Hall (Passing) and Robin Wright (Land), a bonkers Sion Sono/Nicolas Cage team-up (Prisoners of the ...

    • “At The Ready”
    • “Coda”
    • “Cryptozoo”
    • “El Planeta”
    • “Faya Dayi”
    • “Flee”
    • “I Was A Simple Man”
    • “Judas and The Black Messiah”
    • “On The Count of Three”
    • “Passing”

    “At the Ready” is a riveting piece of journalism — its director, Maisie Crow, is the editor of a weekly newspaper in west Texas — and one of the most eye-opening accounts of teen life that’s been put onscreen in years. Three high schoolers in Horizon, Texas participate in their school’s Criminal Justice Club, where they train on fake guns and learn...

    On its face, there’s little surprising about director Sian Heder’s second feature film, the big winner of this year’s festival (it scored the Grand Jury Prize in addition to Best Director and the Audience Award, a Sundance rarity). It’s a family drama and a coming-of-age tale that combines familiar beats about finding yourself, breaking free of you...

    Cartoonist Dash Shaw’s dazzling follow-up to his 2016 debut “My Entire High School Sinking Into the Sea” is a colorful, imaginative blend of fantasy concepts, storybook imagery, and ’60s counterculture. The animated tale of activist heroine Laura Gray (voiced by Lake Bell), a Lara Croftian adventurer devoted to saving mythological beings called “cr...

    “El Planeta” builds its conflict around a single problem, but holds off on revealing it until the very end. In artist Amalia Ulman’s charming first feature, the writer-director stars as a young creative who returns from London to post-crisis Spain, helping her broke mother (played by her real mom, Ale Ulman) contend with destitution after her husba...

    “Faya Dayi” is Mexican-Ethiopian Jessica Beshir’s feature directorial debut. Much of her previous short film work comprises of portraits of the Ethiopian town Harar, where she grew up. It’s a region of the world that rarely, if ever, receives recognition in western media — certainly not executed in Beshir’s bold style. Abandoning traditional docume...

    Sundance 2021 opened on a high note with the world premiere of Jonas Poher Rasmussen’s “Flee,” which Neon picked up the following morning in a seven-figure deal. The movie, which was named an official selection of Cannes last year, centers around an interview Rasmussen recorded with his friend, identified by a pseudonym, Amin Nawabi. The man recoun...

    Layering the spectral hush of “Uncle Boonmee Who Can Recall His Past Lives” over the elegiac domesticity of a late Ozu film like “An Autumn Afternoon,” Honolulu-born filmmaker Christopher Makoto Yogi’s second feature (after his 2018 debut “August at Akiko’s”) is a singularly Hawaiian story that unfolds like a séance for the stubborn ghosts of a cou...

    One part Fred Hampton biopic, one part unnerving portion of all-too-recent American history, Shaka King’s drama is a nuanced portrait of a people, a place, and a betrayal that has never before received such a full telling. Bolstered by major performances by Daniel Kaluuya (as Hampton, the visionary chairman of the Illinois chapter of the Black Pant...

    Jerrod Carmichael’s directorial debut channels the provocation of his standup comedy (and his apparent love for the Safdie brothers) into a buddy comedy that doesn’t “go there” so much as it starts there. “On the Count of Three” begins with longtime friends Val (Carmichael) and Kevin (a tortured but uncharacteristically hilarious Christopher Abbott...

    For her first film, newly minted filmmaker Rebecca Hall took on an audacious feat, delivering a complex examination of race and sexuality set against the backdrop of’20s-era Harlem that was inspired by author Nella Larsen’s own life. Based on Larsen’s novel of the same name, Hall’s formidable feature directing debut is as beautiful and bruising and...

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  6. Dec 15, 2020 · PARK CITY, UTAH — The nonprofit Sundance Institute announced today the showcase of new independent work selected across the Feature Film, Short Film, Indie Series and New Frontier categories for the 2021 Sundance Film Festival. The Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health ...

  7. Feb 5, 2021 · Jockey. Reminiscent of Chloé Zhao’s elegiac Native American rodeo drama “The Rider,” “Jockey” gives Clifton Collins Jr. the role of his career. In light of all the bad press that horse ...

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