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  1. Superhero fiction - Wikipedia

    en.wikipedia.org › wiki › Superhero_fantasy

    Superhero fiction is a genre of speculative fiction examining the adventures, personalities and ethics of costumed crime fighters known as superheroes, who often possess superhuman powers and battle similarly powered criminals known as supervillains. The genre primarily falls between hard fantasy and soft science fiction spectrum of scientific realism. It is most commonly associated with American comic books, though it has expanded into other media through adaptations and original works. Superhe

    • Focus on adventures of heroic figures usually possessing superhuman powers and/or other abilities.
    • Golden Age of Comic Books (America), Kamishibai (Japan)
  2. Superhero Fiction - Wikipedia, The Free Encyclopedia ...

    www.scribd.com › document › 268690796

    Jun 15, 2015 · Superhero Fiction - Wikipedia, The Free Encyclopedia - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Linear Electric Machines, Drives, And MAGLEVs Handbook

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  4. Superhero fiction — Wikipedia Republished // WIKI 2

    wiki2.org › en › Superhero_fiction
    • Common Plot Elements
    • History
    • in Non-Comics Media
    • Outside The United States
    • Criticism

    Superheroes

    A su­per­hero is most often the pro­tag­o­nist of su­per­hero fic­tion. How­ever, some ti­tles, such as Mar­vels by Kurt Bus­iek and Alex Ross, use su­per­heroes as sec­ondary char­ac­ters. A su­per­hero (some­times ren­dered su­per-hero or super hero) is a type of stock char­ac­ter pos­sess­ing "ex­tra­or­di­nary or su­per­hu­man pow­ers" and ded­i­cated to pro­tect­ing the pub­lic. Since the debut of the pro­to­typ­i­cal su­per­hero Su­per­man in 1938, sto­ries of su­per­heroes—rang­ing fro...

    Supervillains

    A su­pervil­lain or su­pervil­lain­ess is a vari­ant of the vil­lain char­ac­ter type, com­monly found in comic books, ac­tion movies, and sci­ence fic­tion in var­i­ous media. They are some­times used as foils to su­per­heroes and other he­roes. Whereas su­per­heroes often wield fan­tas­tic pow­ers, the su­pervil­lain pos­sesses com­men­su­rate pow­ers and abil­i­ties so that he can pre­sent a daunt­ing chal­lenge to the hero. Even with­out ac­tual phys­i­cal, mys­ti­cal, su­per­hu­man or su...

    Secret identities

    Both su­per­heroes and su­pervil­lains often use alter egos while in ac­tion. While some­times the char­ac­ter's real name is pub­licly known, alter egos are most often used to hide the char­ac­ter's se­cret iden­tityfrom their en­e­mies and the pub­lic. With su­per­heroes, the du­al­ity of their iden­ti­ties is kept a se­cret and closely guarded to pro­tect those close to them from being harmed and to pre­vent them from being called upon con­stantly, even for prob­lems not se­ri­ous enough t...

    Prototypes

    The mytholo­gies of many an­cient civ­i­liza­tions fea­ture pan­theons of gods and god­desses with su­per­hu­man pow­ers, as well as he­roes such as Hanu­man, Gil­gamesh, Perseus, Odysseus and David and demigods like Her­a­cles. Real life in­spi­ra­tions be­hind cos­tumed su­per­heroes can be traced back to the "masked vig­i­lantes" of the Amer­i­can Old West such as the San Diego Vigilantes and the Bald Knob­bers who fought and killed out­laws while wear­ing masks. The char­ac­ter of Spring...

    Golden Age

    In 1938, writer Jerry Siegel and artist Joe Shus­ter, who had pre­vi­ously worked in pulp sci­ence fic­tion mag­a­zines, in­tro­duced Su­per­man. (Siegel, as the writer, ac­tu­ally cre­ated the cen­tral and sup­port­ing char­ac­ters; Shus­ter, as the artist, de­signed these char­ac­ters, and gave Su­per­man the first ver­sion of his now-iconic uni­form.) The char­ac­ter pos­sessed many of the traits that have come to de­fine the su­per­hero: a se­cret iden­tity, su­per­hu­man pow­ers and a co...

    Silver Age

    In the 1950s, DC Comics, under the ed­i­tor­ship of Julius Schwartz, recre­ated many pop­u­lar 1940s he­roes, launch­ing an era later deemed the Sil­ver Age of comic books. The Flash, Green Lantern, Hawk­man and sev­eral oth­ers were recre­ated with new ori­gin sto­ries. While past su­per­heroes re­sem­bled mytho­log­i­cal he­roes in their ori­gins and abil­i­ties, these he­roes were in­spired by con­tem­po­rary sci­ence fic­tion. In 1960, DC banded its most pop­u­lar he­roes to­gether in the...

    Film

    Su­per­hero films began as Sat­ur­day movie se­ri­als aimed at chil­dren dur­ing the 1940s with the first film adap­ta­tion of a comic book su­per­hero being The Ad­ven­tures of Cap­tain Mar­vel in 1941. The de­cline of these se­ri­als meant the death of su­per­hero films until the re­lease of 1978's Su­per­man, a crit­i­cal and com­mer­cial suc­cess. Sev­eral se­quels fol­lowed in the 1980s. 1989's Bat­man was also highly suc­cess­ful and fol­lowed by sev­eral se­quels in the 1990s. Yet whil...

    Live-action television series

    Sev­eral live-ac­tion su­per­hero pro­grams aired from the early 1950s until the late 1970s. These in­cluded Ad­ven­tures of Su­per­man star­ring George Reeves, the ac­tion-com­edy Bat­man se­ries of the 1960s (often in­ter­preted as being campy) star­ring Adam West and Burt Ward. In the 1970s how­ever, the genre would find a new­found cred­i­bil­ity in the medium with the orig­i­nal se­ries, The Six Mil­lion Dol­lar Man and its spin­off, The Bionic Woman, being sus­tained suc­cesses. This le...

    Animation

    In the 1940s, Fleis­cher/Fa­mous Stu­dios pro­duced a num­ber of ground­break­ing Su­per­man car­toons, which be­came the first ex­am­ples of su­per­heroes in an­i­ma­tion. Since the 1960s, su­per­hero car­toons have been a sta­ple of chil­dren's tele­vi­sion, par­tic­u­larly in the U.S.. How­ever, by the early 1970s, US broad­cast­ing re­stric­tions on vi­o­lence in chil­dren's en­ter­tain­ment led to se­ries that were ex­tremely tame, a trend ex­em­pli­fied by the se­ries Super Friends. Mea...

    There have been suc­cess­ful su­per­hero works in other coun­tries most of whom share the con­ven­tions of the Amer­i­can model. Ex­am­ples in­clude Cy­ber­six from Ar­gentina, Cap­tain Canuck from Canada, and the he­roes of AK Comics from Egypt.Japan is the only coun­try that nears the United States in out­put of superheroes.[citation needed] The ear­lier of these wore scarves ei­ther in ad­di­tion to or as a sub­sti­tute for capes and many wear hel­mets in­stead of masks.

    Al­most since the in­cep­tion of the su­per­hero in comic books, the con­cept has come under fire from crit­ics. Most fa­mously, the psy­chi­a­trist Fredric Wertham’s Se­duc­tion of the In­no­cent (1954) al­leged that sex­ual sub­text ex­isted in su­per­hero comics, and in­cluded ac­cu­sa­tions that Bat­man and Robin were gay and Won­der Woman en­cour­aged fe­male dom­i­nance fetishes and les­bian­ism. Writer Ariel Dorf­man has crit­i­cized al­leged class bi­ases in many su­per­hero nar­ra­tives in sev­eral of his books, in­clud­ing The Em­pire's Old Clothes: What the Lone Ranger, Babar, and Other In­no­cent He­roes Do to Our Mind (1980), and is not alone in doing so. Marx­ist crit­ics, such as Matthew Wolf-Meyer ("The World Ozy­man­dias Made") and Jason Dittmer ("The Tyranny of the Se­r­ial") often point out that not only do the su­per­heroes ar­guably con­sti­tute a rul­ing class, but by sim­ply de­fend­ing the world as-is, they ef­fec­tively keep it from chang­ing, and thus lock...

  5. Superhero film - Wikipedia

    en.wikipedia.org › wiki › Super_Hero_movies

    A superhero film (or superhero movie) is a film that is focused on the actions of one or more superheroes: individuals who usually possess extraordinary – generally superhuman – abilities relative to a normal person and are dedicated to protecting the public. These films typically feature action, adventure, fantasy or science fiction ...

  6. Hero - Wikipedia

    en.wikipedia.org › wiki › Hero

    The larger-than-life hero is a more common feature of fantasy (particularly in comic books and epic fantasy) than more realist works. However, these larger-than life figures remain prevalent in society. The superhero genre is a multibillion-dollar industry that includes comic books, movies, toys, and video games.

  7. Superpower (ability) - Wikipedia

    en.wikipedia.org › wiki › Superhuman_abilities

    Superpower is a popular culture term for an imaginary superhuman ability. They are most frequently used in pulp magazines, comic books, science fiction, television programs, video games, and films as the key attribute of a superhero. The concept originated in American comic books and pulp magazines of the 1930s and 1940s, and has gradually ...

  8. Real-life superhero - Wikipedia

    en.wikipedia.org › wiki › Mr

    A real-life superhero ( RLSH) is a person who dresses up in a superhero costume or mask in order to perform community service such as neighborhood watch, or in some cases vigilantism. Early examples of this type of behaviour are reported from the 1990s. For example, Mexico City 's Superbarrio Gómez, who, in 1997, donned red tights and a red ...

  9. Marvel Animation - Wikipedia

    en.wikipedia.org › wiki › Marvel_Animation

    Marvel Animation, Inc. (originally the home entertainment and TV production division of Marvel Studios and also referred to as Marvel Family Entertainment) is an American animation production company. The Marvel Studios subsidiary was incorporated on January 25, 2008 to direct Marvel's efforts in animation and home entertainment markets.

  10. Superhero fiction: Secret identity, List of superhero debuts ...

    www.amazon.com.au › Superhero-fiction-superhero

    Superhero fiction: Secret identity, List of superhero debuts, Intercompany crossover, The Adventures of Superman, Comic book death [Source Wikipedia] on Amazon.com.au. *FREE* shipping on eligible orders.

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