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Synth-pop (short for synthesizer pop; [10] also called techno-pop [11] [12]) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. [13] It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and ...
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Synth-pop. Synth-pop is a subgenre of pop music in which the synthesizer is the main musical instrument. An electronic music genre, synthpop is additionally influenced by rock genres such as New Wave music and punk rock, as well as disco music. It is most closely associated with the era between the late 1970s and early to middle 1980s, although ...
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- Precursors. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, around the same time as rock music began to emerge as a distinct musical genre.
- Origins (1977–1980) Early guitar-based punk rock that came to prominence in the period 1976–77 was initially hostile to the "inauthentic" sound of the synthesizer, but many new wave and post-punk bands that emerged from the movement began to adopt it as a major part of their sound.
- Commercial success (1981–1985) The emergence of synth-pop has been described as "perhaps the single most significant event in melodic music since Mersey-beat".
- Declining popularity (1986–2000) Synth-pop continued into the late 1980s, with a format that moved closer to dance music, including the work of acts such as British duos Pet Shop Boys, Erasure and the Communards.
Mesh formed in 1991 after lead singer Mark Hockings and Richard Silverthorn (keyboards) met each other at a concert where Richard Silverthorn's band was playing. Soon afterwards, Neil Taylor, Silverthorn's former bandmate, joined the band on keyboards. The creative writing was split between Richard Silverthorn, who composes the music, and Mark ...
