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Tea Time. (Metzinger) Tea Time (French: Le Goûter, also known as Femme à la Cuillère or Woman with a teaspoon) is an oil painting created in 1911 by the French artist and theorist Jean Metzinger. It was exhibited in Paris at the Salon d'Automne of 1911, and the Salon de la Section d'Or, 1912. [1] The painting was first reproduced ...
Tea Time (Woman with a Teaspoon) 1911 Jean Metzinger (French, 1883–1956) When this painting was first shown at the 1911 Salon d’Automne in Paris, the prominent art critic André Salmon dubbed it “The Mona Lisa of Cubism.”. While Pablo Picasso and Georges Braque were moving even further toward the dematerialization of the figure in their ...
- Jean Metzinger (French, 1883-1956)
- Oil on cardboard
- 1911
- Tea Time (Woman with a Teaspoon)
Famous works. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Le goûter (Tea Time)’ was created in 1911 by Jean Metzinger in Analytical Cubism style. Find more prominent pieces of genre painting at Wikiart.org – best visual art database.
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Tea Time (French: Le Goûter, also known as Femme à la Cuillère or Woman with a teaspoon) is an oil painting created in 1911 by the French artist and theorist Jean Metzinger. It was exhibited in Paris at the Salon d'Automne of 1911, and the Salon de la Section d'Or, 1912. The painting was first reproduced (illustrated) in Chroniques Médico ...
Tea Time. 75.9 cm 70.2 cm. Tea Time (Le Goûter) is a Cubist Oil on Canvas Painting created by Jean Metzinger in 1911. It lives at the Philadelphia Museum of Art in the United States. The image is used according to Educational Fair Use, and tagged Women and Portraits. See Tea Time in the Kaleidoscope.
Jean Metzinger, Le goûter (Tea Time), 1911, 75.9 x 70.2 cm, Philadelphia Museum of Art. Exhibited at the 1911 Salon d'Automne. André Salmon dubbed this painting "The Mona Lisa of Cubism" Jean Metzinger, through the intermediary of Max Jacob, met Apollinaire in 1907.
Tea Time. Artist: Jean Metzinger. When this painting was shown at the 1911 Salon d'Automne, the critic Andre Salmon dubbed it "The Mona Lisa of Cubism." While Picasso and Braque were dematerializing figures and objects in their works, Metzinger remained committed to legibility, reconciling modernity with classicism, thus Salmon's nickname for ...
