Jean-Pierre Léaud
Antoine Doinel
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The 400 Blows ( French: Les quatre cents coups) is a 1959 French coming-of-age drama film, [3] and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, [4] it ...
- François Truffaut, Georges Charlot
- Jean Constantin
- 4 May 1959 (France)
The 400 Blows: Directed by François Truffaut. With Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble. A young boy, left without attention, delves into a life of petty crime.
- Camera-Obscura
- 1 min
- François Truffaut
- 257
Aug 8, 1999 · I am not at all interested in anything in between. -- Francois Truffaut. Francois Truffaut's "The 400 Blows" (1959) is one of the most intensely touching stories ever made about a young adolescent. Inspired by Truffaut's own early life, it shows a resourceful boy growing up in Paris and apparently dashing headlong into a life of crime.
The 400 Blows (1959) The 400 Blows (1959) View more photos Movie Info Synopsis For young Parisian boy Antoine Doinel (Jean-Pierre Léaud), life is one difficult situation after another.
- (2.1K)
- Jean-Pierre Léaud
- François Truffaut
- Crime, Drama
A young boy, left without attention, delves into a life of petty crime. Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. His parents bicker constantly and he knows his ...
Sep 21, 2022 · Few movies have been so personal. “The 400 Blows” is dedicated to the critic André Bazin, Truffaut’s mentor, who died just as the movie began shooting. The early scenes of the boy’s ...
François Truffaut’s first feature is also his most personal. Told from the point of view of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
