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The Death of Socrates. Jacques Louis David French. 1787. On view at The Met Fifth Avenue in Gallery 634. In this landmark of neoclassical painting from just before the French Revolution, David took up a classical story of resisting unjust authority in a sparse, friezelike composition.
- Antoine Laurent Lavoisier
Le Serment du Jeu de Paume de Jacques-Louis David: Le...
- Crito
This highly finished drawing is a study for David's Death of...
- Copy After David's
Title: Copy after David's "The Death of Socrates" Artist:...
- The Death of Socrates
The Death of Socrates. This sheet is an early exploration of...
- Antoine Laurent Lavoisier
- Artist Abstract: Who Was Jacques-Louis David?
- The Death of Socrates (1787) by Jacques-Louis David in Context
- Formal Analysis: A Brief Compositional Overview
- Frequently Asked Questions
Jacques-Louis David was born on August 30, 1748, and died on December 29, 1825. He was born in Paris, France, and became one of the most notable artists of the Neoclassical art movement. He received assistance from the Rococo artist François Boucherwho introduced him to the artist Joseph-Marie Vien. He was controversial in his ideas and supported v...
Below we will start with a brief contextual analysis of The Death of Socratesby Jacques-Louis David, looking at the historical events that occurred when David painted it, who commissioned it, as well as how Socrates died. We will then look at a formal analysis, exploring Jacques-Louis David’s stylistic approach and rendering of the painting – we wi...
In the formal analysis below, we will explore The Death of Socratesin more detail starting with a visual description of the subject matter, expanding more on Socrates’ final moments as depicted by Jacques-Louis David, and then a discussion about the artist’s stylistic approaches. The Death of Socrates (1787) by Jacques-Louis David; Jacques-Louis Da...
Who Painted The Death of Socrates?
The Death of Socrates(1787) was painted by Jacques-Louis David. He was reportedly commissioned by Charles-Michel or Charles-Louis Trudaine de la Sablière. It was within the Neoclassical art style as well as a painting that portrayed ideals related to the French Revolution, which started shortly after the painting’s completion.
Where Is The Death of Socrates Painting?
The Death of Socrates(1787) by Jacques-Louis David is now housed at The Metropolitan Museum of Art (MET) in New York City, the United States of America. It was previously sold and passed down by several people until it was purchased by the MET in 1931.
Who Is Plato in The Death of Socrates?
Plato is depicted as the elderly man sitting at the foot of Socrates’ bed, to the left of the composition. He was in his twenties when Socrates died and not present at his death. Jacques-Louis David depicted the scene as a so-called memory of Plato.
- Alicia du Plessis
- ( Author And Art History Expert )
The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo.
- 129.5 cm × 196.2 cm (51.0 in × 77.2 in)
- Jacques-Louis David
- 1787
Dec 6, 2023 · This is Jacques-Louis David’s “The Death of Socrates.” It was painted in 1787, just two years before the outbreak of the French Revolution. Dr. Beth Harris: [0:19] We have this central figure, who points up toward the heavens, who’s old but noble and seems so wise.
May 19, 2019 · The Death of Socrates portrays the real-life execution of Socrates, a Greek philosopher who helped pioneer Western philosophy, in 399 BCE. Using Plato's Phaedo as a reference, David captures the moment that Socrates—who had been sentenced to death by the Athenian courts for “impiety” and “corrupting the young”—is given poison ...
Feb 18, 2022 · A historical painting of the execution of Socrates by Plato in 1787, based on the Phaedo dialogue. The artist depicts the stoic philosopher calmly drinking hemlock and teaching his pupils a lesson of wisdom. The painting shows historical inaccuracies and idealized characters, but uses color to highlight the emotion.
