Al Pacino
Michael Corleone
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Dec 18, 1974 · The sequel to The Godfather follows the rise and fall of the Corleone family in New York and Sicily. Starring Al Pacino, Robert De Niro, Robert Duvall and Diane Keaton, the film won six Oscars and is rated 9.0/10 by IMDb users.
- (1.3M)
- Crime, Drama
- Francis Ford Coppola
- 1974-12-18
The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of ...
- $48–93 million
- Francis Ford Coppola
- $13 million
- Nino Rota
A classic crime drama sequel that follows the rise and fall of the Corleone family in New York. See the 96% Tomatometer, 97% Audience Score, critic reviews, trailer, clips, photos and more on Rotten Tomatoes.
- (126)
- Francis Ford Coppola
- R
- Al Pacino
The sequel to The Godfather follows the rise and fall of the Corleone family in New York and Cuba, as well as the early life of Vito Corleone in Sicily. Michael Corleone faces betrayal, assassination, and family conflicts, while Vito Corleone becomes a powerful mafia don.
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The Godfather Part II. The saga of the Corleone family continues, contrasting Vito Corleone's rise as mafia kingpin in 1920s New York with his son Michael's expansion of the family empire as he succumbs to the temptations of power and the brutality of the life he has chosen. Rentals include 30 days to start watching this video and 48 hours to ...
Explore the sequel to the classic mafia film The Godfather, directed by Francis Ford Coppola and starring Al Pacino, Robert De Niro and Robert Duvall. Watch trailers, see cast and crew, and learn about the Coppola Restoration.
A film critic's analysis of the second installment of the Corleone saga, which depicts the rise and fall of Michael Corleone, the son of Don Vito, as a Mafia leader. The reviewer praises Coppola's direction, performances, and themes, but criticizes the film's plot structure and historical accuracy.
