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The Light Between Oceans is a 2016 romantic drama film written and directed by Derek Cianfrance and based on the 2012 novel of the same name by M. L. Stedman. An international co-production between the United Kingdom, the United States, India and Canada, the film stars Michael Fassbender, Alicia Vikander, Rachel Weisz, Bryan Brown, and Jack ...
- $26 million
- Alexandre Desplat
- $20 million
Sep 2, 2016 · A drama romance film based on M.L. Stedman's novel about a lighthouse keeper and his wife who find a baby in a rowing boat and face a moral dilemma. Starring Michael Fassbender, Alicia Vikander, Rachel Weisz, and directed by Derek Cianfrance.
- Derek Cianfrance
- 191
- 2 min
Sep 2, 2016 · A movie adaptation of M.L. Stedman's bestselling novel about a lighthouse keeper and his wife who find a baby on a beach. See the trailer, critics' ratings, and watchlist options for this drama starring Michael Fassbender and Alicia Vikander.
- (236)
- Derek Cianfrance
- PG-13
- Michael Fassbender
Summaries. A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from a drifting rowing boat. War-weary Tom takes a job as a lighthouse keeper on an island for the solitude. He meets beautiful young Isabel and they eventually marry.
The Light Between Oceans is a 2012 Australian historical fiction novel by M. L. Stedman, her debut novel, published by Random House Australia on 20 March 2012. A film adaptation of the same name starring Alicia Vikander and Michael Fassbender was released on 2 September 2016.
- M. L. Stedman
- Historical fiction
- 362 pp.
- Vintage Australia
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1.5M views 7 years ago. Once you find love, can you ever let go? Watch the new trailer for The Light Between Oceans, starring Michael Fassbender, Alicia Vikander, and Rachel Weisz. See the...
- 2 min
- 1.5M
- The Light Between Oceans
Sep 2, 2016 · A film adaptation of M.L. Stedman's novel about a lighthouse keeper and his wife who find a baby in a rowboat. The review criticizes the director's lack of trust in the actors and the audience, and the excessive use of close-ups and score.