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Apr 15, 2021 · In the 16 years since the release of Crash, the U.S. has rushed through a series of milestones in race relations: a Black president, a new chapter in the civil rights movement, a white...
- Justin Charity
- How Crash Approaches Race and Gender Issues
- Social Constructs vs. Inborn Characteristics
- Traditional Gender Roles
- Rethinking Gender Roles
- Faith, Hope, and Love
- Facing Our Shadow and Finding The Light
- Comments
Crash, a 2004 film directed by Paul Haggis, begins with Detective Graham Waters (Don Cheadle) saying, "It's the sense of touch ... we miss ... so much that we crash into each other just so we can feel something." The use of the word "touch" suggests human connection. "Feel" conjures a sense of emotion. We want to be moved by one another, to feel ou...
Race and gender are not physical attributes. They are social constructions. The movie portrays the district attorney of L.A. struggling to salvage his public image among black voters via finding an African American whom he can reward publicly. He considers a certain "black" firefighter who had recently performed his job heroically, but someone ment...
Crashalso beautifully illustrates how rigid gender roles can hinder connection between people. The traditionally male roles of "provider" and "protector" are especially examined. In one scene, a black film director named Cameron is pulled over by a racist police officer named John Ryan. Cameron's wife is with him, and soon begins antagonizing the o...
Crashshows that we should reanalyze the distinctions between "male" traits, such as decisiveness and aggression, and "female" traits, like submissiveness, non-aggression, and intuition. The movie portrays a Persian American shop owner who buys a handgun to protect his wife and his daughter, Dorri. Dorri's intuition gives her a bad feeling about thi...
Symbolically, the locksmith's little girl became the protector of both her father—she tells him, "I'll protect you"—and her father's assailant, who later says, "She came to protect me." This symbolism reveals more than just a reversal of gender roles. The girl's imaginary cloak is impenetrable, which indicates the best possible defense. The cloak r...
Cameron, tired of feeling spineless, almost dies when he violently threatens a group of police officers. This reckless action ends up doing more than soothing his wounded pride, however. He can no longer pass judgment on his wife for her capacity to behave recklessly but must forgive her, because he's discovered his own capacity to behave even more...
Tracyon April 06, 2020: I know its been like more than 5 years this movie was released but honestly speaking this is the best movie ever and thanks for providing us with deeper and understandable information. I am currently film and tv production student, I want to became an EDITOR... THEE BEST FEMALE EDITOR. I also want to do the DOP. Our boss gav...
May 6, 2005 · Crash: Directed by Paul Haggis. With Karina Arroyave, Dato Bakhtadze, Sandra Bullock, Don Cheadle. Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.
- (445K)
- Crime, Drama, Thriller
- Paul Haggis
- 2005-05-06
Summaries. Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption. Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city.
Crash is a 2004 American crime drama film produced, directed, and co-written by Paul Haggis and Robert Moresco. A self-described "passion piece" for Haggis, the film features racial and social tensions in Los Angeles and was inspired by a real-life incident in which Haggis's Porsche was carjacked in 1991 outside a video store on Wilshire ...
- $98.4 million
- Mark Isham
- $6.5 million
People also ask
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May 5, 2005 · When racial worlds collide. Roger Ebert May 05, 2005. Tweet. Larenz Tate and Ludacris in "Crash." Now streaming on: Powered by JustWatch. "Crash" tells interlocking stories of whites, blacks, Latinos, Koreans, Iranians, cops and criminals, the rich and the poor, the powerful and powerless, all defined in one way or another by racism.
Nov 7, 2021 · The film provides perhaps a dated outlook on race relations circa 2004, but, on a narrative level, Crash impressively ties together 11 plots into a wholly complete story with its ambitiously dramatic ending.
