Gerard Butler
The Phantom
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Dec 21, 2004 · In the Lloyd Webber version, now filmed by Joel Schumacher, the mask is more like a fashion accessory, and the Phantom's "good" profile is so chiseled and handsome that the effect is not an object of horror but a kinky babe magnet. Advertisement. There was something unwholesome and pathetic about the 1925 Phantom, who scuttled like a rat in the ...
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Jan 21, 2005 · The Phantom of the Opera is a musical adaptation of the classic novel by Gaston Leroux, starring Gerard Butler, Emmy Rossum and Patrick Wilson. The film received mixed reviews from critics and ...
- (26.7K)
- Joel Schumacher
- PG-13
- Gerard Butler
9/10. A masterpiece. theshadow908 27 June 2006. The Phantom of the Opera is based off of both Gaston Leroux's novel, and Andrew Lloyd Webber's stage musical. It tells the story of a mysterious man that lives beneath the Paris Opera House, and is madly in love with a young ballet dancer.
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Phantom of The Opera is a wonderfully dark musical that even people who don't like musicals will enjoy. The music is so melodic and well written it doesn't make you feel the aggravation some other musicals do. The Phantom himself may be a bit scary to look at in one scene, he has either a serious burn or a birth defect that is the reason for ...
- Emmy Rossum, Gerard Butler, Minnie Driver
- Joel Schumacher
- Warner Bros.
The Phantom of the Opera is a 2004 musical romantic drama film based on Andrew Lloyd Webber 's 1986 musical of the same name, which in turn is based on the 1910 French novel Le Fantôme de l'Opéra by Gaston Leroux. Produced and co-written by Lloyd Webber and directed by Joel Schumacher, it stars Gerard Butler in the title role, with Emmy ...
- Andrew Lloyd Webber
- 10 December 2004
- Andrew Lloyd Webber
Dec 6, 2004 · Updated 11 December 2004. Contains moderate violence and obsession theme. Like its eponymous hero, this adaptation of Andrew Lloyd Webber's stage musical The Phantom Of The Opera is shockingly in ...
It's worse. The real problem with "Phantom" is the problem with Andrew Lloyd Webber musicals in general. It's a slow-moving orgy of lowbrow grandiosity that's as tedious as it is overblown and pretentious. Lord Lloyd Webber's thorough acquaintance with the canon of 18th- and 19th-century classical music is not in doubt, but his attempt to force ...
