Search results
PG-13
- The Power of One (1992) Rated PG-13
www.rogerebert.com › reviews › the-power-of-one-1992
People also ask
Is the power of one a boxing movie?
Is the power of one a good movie?
Is the power of one based on a true story?
What does the power of one mean?
The film received mixed reviews. Review aggregate Rotten Tomatoes currently ranks the film at a 39% 'rotten' rating based on 18 reviews, with an average score of 5/10.
- $18 million
- Hans Zimmer
- 27 March 1992
- Arnon Milchan
Mar 27, 1992 · IMDb RATING. 7.1 /10. 11K. YOUR RATING. Rate. Play trailer 1:41. 1 Video. 50 Photos. Drama Sport. An English boy, living in Africa during World War II, through his boxing prowess, becomes a symbol of hope, in a time of war. Director. John G. Avildsen. Writers. Bryce Courtenay. Robert Mark Kamen. Stars. Stephen Dorff. Armin Mueller-Stahl.
- (10K)
- Drama, Sport
- John G. Avildsen
- 1992-03-27
Mar 27, 1992 · Reviews. The Power of One. Roger Ebert March 27, 1992. Tweet. Now streaming on: Powered by JustWatch. “The Power of One” begins with a canvas that involves all of the modern South African dilemma, and ends as a boxing movie. Somewhere in between, it loses its way.
Rated: 3/5 • Jul 8, 2004. It's the 1930s, and as the people he cares for die or leave his village, young South African P.K. bonds with much older Doc (Armin Mueller-Stahl). A foreigner,...
- (18)
- John G. Avildsen
- PG-13
- Stephen Dorff
Mar 27, 1992 · A film that turns the savagery of apartheid into a crisis of conscience for one relatively privileged white boy. Worse yet, it suggests that his crisis is a matter of urgent concern for countless South African blacks.
- (22)
- John G. Avildsen
- PG-13
- Stephen Dorff
Full Review | Original Score: D | Mar 1, 1992. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers ...
Summaries. An English boy, living in Africa during World War II, through his boxing prowess, becomes a symbol of hope, in a time of war. PK (Dorff), an English orphan terrorised for his family's political beliefs in Africa, turns to his only friend, a kindly world-wise prisoner, Geel Piet (Freeman).