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The Thirteenth Tale (2006) by Diane Setterfield is a gothic suspense novel, the author's first published book. Plot. Vida Winter, a famous novelist in England, has evaded journalists' questions about her past, refusing to answer their inquiries and spinning elaborate tales that they later discover to be false.
- 416 pp
- Diane Setterfield
- 12 September 2006
- Atria Books
The Thirteenth Tale is a rich and atmospheric story of a writer, a family, and a secret. Margaret Lea investigates the mysterious Angelfield House and its connection with Vida Winter, a famous author of dark fairy tales.
Oct 9, 2007 · The Thirteenth Tale by Diane Setterfield centers around the life of reclusive author, Vida Winter, who has spent the last few years creating a series of alternate lives for herself. Now ill and nearing the end of her life, Miss Winter decides it is time to tell the truth and come clean about the events of her life.
Ads · The thirteenth tale diane setterfield
Sep 12, 2006 · The Thirteenth Tale, by Diane Setterfield is a gothic suspense novel, the author's first published book in (2006). Vida Winter, a famous novelist in England, has evaded journalists' questions about her past, refusing to answer their inquiries and spinning elaborate tales that they later discover to be false.
- (313.5K)
- Hardcover
Sep 12, 2006 · Settle down to enjoy a rousing good ghost story with Diane Setterfield's debut novel, The Thirteenth Tale. Setterfield has rejuvenated the genre with this closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths.
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– USA Today. “ A first-rate mystery, suffused with the murk of the English moors…. Setterfield’s spooky, gloom-infused work lovingly invokes both Jane Eyre and Rebecca, but the mystery is very much her own.” – Entertainment Weekly, B+. “ The Thirteenth Tale is a book that you wake in the middle of the night craving to get back to….
In what ways is The Thirteenth Tale a classic, gothic novel? Miss Winter frequently changes points of view from third to first person, from "they" to "we" to "I," in telling Margaret her story. The first time she uses "I" is in the recounting of Isabelle's death and Charlie's disappearance.
