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Who are the Weird Sisters in Macbeth?
Who are the three witches in Macbeth?
Why is Macbeth called 'Weird'?
Where did Macbeth's witches come from?
Throughout the play, the witches—referred to as the “weird sisters” by many of the characters—lurk like dark thoughts and unconscious temptations to evil. In part, the mischief they cause stems from their supernatural powers, but mainly it is the result of their understanding of the weaknesses of their specific interlocutors—they play ...
The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare 's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's Chronicles (1587), a history of England ...
Symbols. Three witches, whose prophecy helps push Macbeth 's ambition over the edge, and convinces him to murder Duncan in order to become King. The witches' knowledge of future events clearly indicates that they have supernatural powers, and they also clearly enjoy using those powers to cause havoc and mayhem among mankind.
[Dancing together in a circle] The weird sisters, hand in hand, swift travelers over the sea and land, dance around and around! Three times your way, then three times mine, and three times again, to add up to nine. Quiet! The spell is ready.
The weird sisters are a wonderful Shakespearean invention. They appear on the stage as characters and are played by actors, but they are not people. Shakespeare distances them from the people in the play by the way they use language.
The sisters are called "witches" only once in the play—but they're called "weird" six. The word "weird" comes from the Old English term " wyrd ," meaning "fate," so we're betting that they're in some way associated with the three fates of classical mythology.
Weird Sisters, the creatures who prophesy the destinies of the main characters in Shakespeare’s Macbeth. The term Weird Sisters was first used by Scots writers as a sobriquet for the Fates of Greek and Roman mythology. Through its appearance in Raphael Holinshed’s Chronicles, the expression passed.
