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Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans. It was published in German in 1810 and in English in 1840. [1]
- Johann Wolfgang von Goethe
- Zur Farbenlehre
- 1810
- 1810
Aug 17, 2012 · Color is an essential part of how we experience the world, both biologically and culturally. One of the earliest formal explorations of color theory came from an unlikely source — the German poet, artist, and politician Johann Wolfgang von Goethe (August 28, 1749–March 22, 1832), who in 1810 published Theory of Colors ( public library ...
Nov 29, 2015 · Project Gutenberg. 73,472 free eBooks. 92 by Johann Wolfgang von Goethe. Goethe's Theory of Colours by Johann Wolfgang von Goethe. Read now or download (free!) Similar Books. Readers also downloaded… About this eBook. Free kindle book and epub digitized and proofread by volunteers.
- Goethe, Johann Wolfgang von, 1749-1832
- Eastlake, Charles Lock, Sir, 1793-1865
- Goethe's Theory of Colours
- Zur Farbenlehre. English
Aug 28, 2021 · Philosophers have come to understand the distinction between the optical spectrum, as observed by Newton, and the phenomenon of human colour perception as presented by Goethe — a subject analyzed at length by Wittgenstein in his comments on Goethe’s theory in Remarks on Colour.
Dec 14, 2009 · Goethe's theory of colours : Johann Wolfgang von Goethe : Free Download, Borrow, and Streaming : Internet Archive. by. Johann Wolfgang von Goethe. Publisher. J. Murray, 1840. Collection. europeanlibraries. Book from the collections of. Oxford University. Language. English.
Goethe’s Color Theory. work by Goethe. Also known as: “Zur Farbenlehre” Learn about this topic in these articles: discussed in biography. In Johann Wolfgang von Goethe: Napoleonic period (1805–16) of Johann Wolfgang von Goethe. Goethe’s Color Theory ), and in 1806 Goethe sent to him the completed manuscript of part one of Faust.
Goethe's 1810 work was rejected by many contemporary scientists because it appeared to contradict the physical laws laid down by Newton. However, its focus on the human perception of the colour spectrum, as opposed to the observable optical phenomenon, was attractive to, and influential upon, artists and philosophers.
