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tilmanriemenschneider.com › work › 2023/08/01Pieta - Tilman Riemenschneider

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Aug 1, 2023 · An expressive Pieta - I love Mary’s expression. This is a great characteristic Riemenschneider, with the energetic, angular facial expressions even when going for ‘serenity.’ Also how lovely is it that the German word for pieta is Vesperbild?
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risdmuseum.org › art-design › collectionPietà | RISD Museum

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Tilman Riemenschneider ( German, 1460-1531) Title. Pietà. Year. ca. 1515-1525. Medium. Linden wood. Materials/Techniques. Dimensions. Credit / Object Number. Type. Publications. Books. A Handbook of the Museum of Art, Rhode Island School of Design. Read Online ›. Books. Selected Works. Read Online ›. Articles. Wood in the Middle Ages. Continue .
tilmanriemenschneider.com › work › 2023/08/12Pieta in Sandstone - Tilman Riemenschneider

tilmanriemenschneider.com › work › 2023/08/12
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Aug 12, 2023 · This pieta is carved in gray standstone - an interesting relief that’s inset into a muscular rectangular frame. Interestingly, this one has three surviving studies or models. (I don’t know if they were studies for the carving or mass-production cheap copies made after the carving!)
- Completed: c. 1510-15
- Owner: Museum für Franken, Festung Marienberg
- Medium: sandstone
- Title: Pieta in Sandstone
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Who was Tilman Riemenschneider?
Born circa 1460 in Heiligenstadt (Thuringia), Tilman Riemenschneider grew up in Osterode but spent most of his life as a sculptor and citizen in Würzburg (Franconia). He played a pioneering role in introducing unpolychromed wood sculpture for major altarpiece commissions.

Tilman Riemenschneider - National Gallery of Art

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What is Riemenschneider known for?
He is known for a type of subtly idealized figure with sensitive, expressive hands, conveying a mood of gentle, slightly melancholy contemplation. The place where Riemenschneider was trained and the identity of his teachers remain uncertain. Erfurt has been proposed as the locale of his apprenticeship in stonecarving.

Tilman Riemenschneider - National Gallery of Art

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How did Riemenschneider become a citizen?
An uncle who held several offices under the Bishop in Würzburg probably helped to establish Riemenschneider in that city, where he took his journeyman's oath on 7 December 1483. He is recorded as a citizen and master in 1485, a status made possible by his marriage to the widow of a Würzburg goldsmith early in that year.

Tilman Riemenschneider - National Gallery of Art

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Why was Riemenschneider imprisoned?
Riemenschneider held several offices on the Würzburg city council, and between 1520 and 1521 served as bürgermeister (mayor). Implicated in 1525 in the Franconian peasants' revolt as one of the burghers who refused to support the prince-bishop in military action against the peasants, he was imprisoned for two months.

Tilman Riemenschneider - National Gallery of Art

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www.artsy.net › artwork › tilman-riemenschneider-pietaGerman, 16th century | Pietà (ca. 1515 -1525) | Artsy

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The indefatigable artist has been the subject of exhibitions at the world’s most prestigious institutions, from the Museum of Modern Art and Centre Pompidou to the Stedelijk Museum and Tate Modern. Tilman Riemenschneider. Pietà, ca. 1515 -1525. Lindenwood with polychromy.
www.metmuseum.org › art › collectionTilman Riemenschneider - The Metropolitan Museum of Art

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Overview. Provenance. Exhibition History. References. Title: Seated Bishop. Artist: Tilman Riemenschneider (German, 1460–1531) Date: ca. 1495. Geography: Made in Würzburg, Lower Franconia. Culture: German. Medium: Limewood and gray-black stain. Dimensions: 35 1/2 x 14 x 5 7/8 in. (90.2 x 35.6 x 14.9 cm) Classification: Sculpture-Wood.
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www.metmuseum.org › art › collectionPietà | German | The Metropolitan Museum of Art

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Title: Pietà. Date: early 15th century. Culture: German. Medium: Alabaster. Dimensions: Overall: 13 x 11 in. (33 x 27.9 cm) Classification: Sculpture. Credit Line: The Cloisters Collection, 1925. Accession Number: 25.120.238.
www.nga.gov › collection › artist-infoTilman Riemenschneider - National Gallery of Art

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Born circa 1460 in Heiligenstadt (Thuringia), Tilman Riemenschneider grew up in Osterode but spent most of his life as a sculptor and citizen in Würzburg (Franconia). He played a pioneering role in introducing unpolychromed wood sculpture for major altarpiece commissions. He is known for a type of subtly idealized figure with sensitive ...