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- Tomás Luis de Victoria (born c. 1548, near Avila, Spain—died Aug. 27, 1611, Madrid) was a Spanish composer who ranks with Palestrina and Orlando di Lasso among the greatest composers of the 16th century. Victoria was sent by King Philip II of Spain in 1565 to prepare for holy orders at the German College in Rome.
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Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – c. 20–27 August 1611) was the most famous Spanish composer of the Renaissance.
Apr 12, 2024 · Tomás Luis de Victoria was a Spanish composer who ranks with Palestrina and Orlando di Lasso among the greatest composers of the 16th century. Victoria was sent by King Philip II of Spain in 1565 to prepare for holy orders at the German College in Rome.
- The Editors of Encyclopaedia Britannica
Tomás Luis de Victoria was the most acclaimed Spanish composer of the Renaissance and one of the main composers of the late Renaissance along with Giovanni Pierluigi da Palestrina and Orlando di Lasso. His journey in music began as a choirboy in Ávila Cathedral.
Jun 27, 2018 · VICTORIA, TOMÁS LUIS DE (1548 – 1611), preeminent composer of the Spanish Renaissance. Rivaled only by Giovanni da Palestrina and Orlando di Lasso among his European contemporaries, Victoria produced an important body of work that was widely distributed, often reprinted, and highly praised from his time to ours.
Victoria was the greatest spanish polyphonist of all times, and probably one of the best of his time in Europe. He was born in Avila around 1548, as the seventh child of Francisca Suarez de la Concha and Francisco Luis de Victoria.
May 28, 2013 · 1548–d. 1611) is the best-known Spanish composer of the Renaissance. His surviving output, small in comparison to those of Palestrina and Lassus, consists entirely of sacred polyphony with Latin texts.
Tomás Luis de Victoria (1548-1611) should undoubtedly be considered the most significant Spanish composer of his time. He exclusively devoted his life and creative energies to the Catholic Church, and became one of the leading musical figures of the Counter-Reformation.
