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    • Tom Eames
    • 'Another Day' (with Peter Gabriel) Kate Bush & Peter Gabriel - Another Day. Originally by Roy Harper, Kate Bush teamed up with Peter Gabriel for this one-off performance on her 1979 Christmas TV special.
    • 'The Sensual World' Kate Bush - The Sensual World - Official Music Video. This song is from Kate's 1989 album of the same name, and is inspired by Molly Bloom stepping out of the two-dimensional pages of James Joyce's Ulysses into the real world.
    • 'Under the Ivy' Kate Bush - Under The Ivy. Kate Bush recorded this song as a B-side to her 1985 song ‘Running Up That Hill’. Tracey Thorn recorded a cover in 2014, with husband and Everything But the Girl colleague Ben Watt on piano, and a string arrangement by Nick Ingman.
    • 'December Will Be Magic Again' Kate Bush "December Will Be Magic Again" - Christmas Special 1979. Released in 1980, this one-off single was a Christmas-themed track that should have been a bigger hit at the time.
    • Wuthering Heights (The Kick Inside, 1978) Every year on the singer’s birthday, July 30, fans celebrate The Most Wuthering Heights Day Ever by recreating Bush’s dance routine in the iconic red dress from the music video.
    • The Saxophone Song (The Kick Inside, 1978) Damian Wilson: “Her beautiful freedom within melody and the sensuality of her work simply captured me. The uplifting bursts still never cease to remind me of the excitement I felt when I first heard it.
    • The Man With The Child In His Eyes (The Kick Inside, 1978) Steve Hogarth, Marillion: “I’m all about the lyrics, of course, and whenever I hear this song, I think of my dear departed dad tucking me in when I was small.
    • Symphony In Blue (Lionheart, 1978) Conrad Keely, …And You Will Know Us By The Trail Of Dead: “Something about the lyrics suggested an inquisitive mind describing the effects of synaesthesia, where colours evoke moods and sounds: ‘Blue, the colour of my room and my mood.’
    • Hounds Of Love. (from Hounds Of Love, 1985) Kate runs headlong from love and right into its clutches. No matter how refined the circumstances of its creation – built at leisure in Bush’s new 48-track studio – or how newfangled its production – still tangible in the hi-tech stabs and pads of Fairlight, and the crispness of Jonathan Williams’ cello – Hounds Of Love is red in tooth and claw, its breathless, atavistic fear of capture mixed with almost supernatural rapture.
    • Wuthering Heights. (from The Kick Inside, 1978) Taking Brontë onto TOTPs and launching an oeuvre. A hit song that bypassed the prevailing genre staples – disco, MOR, punk/new wave, pap pop – for the singular realm of peculiarity and particularity.
    • Running Up That Hill (A Deal With God) (from Hounds Of Love, 1985) Mood-pop gender-swapping and a contract with the Godhead. Running Up That Hill’s appearance in Stranger Things’s series finale beamed Bush into the consciousness of thousands of minds previously unaware of her singular genius.
    • This Woman’s Work. (from The Sensual World, 1989) Her greatest ballad, written to order for John Hughes’ film She’s Having A Baby. The emotions seeping from this ‘childbirth crisis’ are almost unbearable as Bush abandons symbolism for a direct hit of primal fear.
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    • ‘Breathing’
    • ‘Hammer Horror’
    • ‘Bertie’
    • ‘Hounds of Love’
    • ‘The Man with The Child in His Eyes’
    • ‘Misty’
    • ‘Cloudbusting’
    • ‘Wuthering Heights’
    • ‘This Woman’S Work’
    • ‘Running Up That Hill (A Deal with God)’

    Released as part of the 1980s effort Never for Ever, the album had a lot to live up to. It was released following Bush’s iconic ‘Tour of Life’ and, following such a painstaking set of performances — one which would render her unable to perform live until 2014 — Bush was given more time to create. It produced a fantastic record, on which ‘Breathing’...

    Following on from her debut LP, Lionheartwas always going to struggle commercially. Bush’s debut record had set a high standard, and it’s only on a few songs that Bush really leapt over the pop music bar that had been set. But, there’s no doubt that ‘Hammer Horror’ is one of them. Using Bush’s eccentric style to make the opera of her thoughts come ...

    It’s well-known that Bush took a long break from being in the limelight to look after her newborn son, but it wasn’t until 2005’s Aerialthat she made it all into a song. The year welcomed Bush back into the music-making fold, and it seems only fitting that the best moment of her return would come with a song about why she left in the first place. ‘...

    The title track from her iconic album Hounds of Love, the first notes of this song, set you up perfectly for what will be an incredible LP. The track arrives with a simple power that renders it one of the best pop songs ever written. Drums thunder like they only do in Hollywood folklore, and Bush’s vocal manages to range from the utterly beautiful ...

    Remarkably, Kate Bush wrote this song when she was just 13 years old and recorded it only a few years later at the age of 16. Pink Floyd’s very own David Gilmour, who had helped discover the bright young talent, footed the bill for a gigantic backing band which Bush would later admit frightened her. The track is written about the relationship betwe...

    Concept albums are always tricky. Either people get it, or they don’t; there isn’t much of a middle ground. Luckily for Bush, she had the extra help of already being wholly unexpected when she released 50 Words for Snowin 2011. The concept album provided a crystalline image of Bush’s creativity. There’s also a couple of guest spots too as Stephen F...

    Another track from Kate Bush’s seminal album Hounds of Love, the track is a bounding and beautiful affair that rarely provides room for breath. It’s a shining example of Bush’s ability to transform herself into the figurative mind of her protagonist and bring us as an audience along for the ride. Written about the famed psychologist and philosopher...

    Inspired largely by the BBC adaptation of Wuthering Heights instead of the Emily Bronte novel, the track that launched Kate Bush was written in the leafy South London suburb in the summer of ’77. As London was swollen with the vicious angst of punk, Kate Bush was creatinga masterful pop record: “There was a full moon, the curtains were open, and it...

    The song was originally written for the American film, She’s Having a Baby in 1988 and was later released on Bush’s 1989 album The Sensual World. Astonishingly, the track only peaked at number 25 in the UK singles chart, despite being one of Bush’s most intense and ethereal compositions. Director John Hughes expertly used the song during the film’s...

    The track, ‘Running Up That Hill’ was the lead single of one of Bush’s most incredible works, Hounds of Love, which remains a pop masterpiece, and the song is a lead single worthy of such an album. The fact that the song is gaining a huge wave of popularity from a streaming platform and the TikTok trends that naturally follow these days should bear...

  2. 718K subscribers. Subscribed. 2.2K. 107K views 1 year ago #StrangerThings #RunningUpThatHill #WutheringHeights. She's the Queen of Art-Pop for a reason. For this list, WatchMojoUK counts down the...

    • Jun 21, 2022
    • 107.8K
    • WatchMojoUK
  3. Apr 3, 2021 · Picking just 20 songs that emphasise her importance is no easy task, but the best Kate Bush songs will give newcomers to her music a thrill while reminding fans of some of her most glorious moments. Listen to the best of Kate Bush here, and check out the best Kate Bush songs, below. 20: Among Angels (From ‘50 Words For Snow’, 2011)

  4. Kate Bush best songs no compromise. From The Kick Inside album (1978): Wuthering Heights, Moving & Saxophone Song (on one track) and The Man with the Child In His Eyes. From the Lionheart...

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