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Contrast between Classical and Romantic styles. Classical music was known for its clarity and regularity of structure, or "natural simplicity", thought of as an elegant international musical style with balanced four-bar phrases, clear-cut cadences, repetition, and sequence. [1] Sonata form was the foundation for a large number of pieces which ...
- c. 1730-1820
- c. 1400-1600
- c. 500-1400
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
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Classical music, an era that lasted from 1750-1820, paved way for various compositional and melodic techniques that were implemented during the Romantic Era (1815-1910). Composers of the Classical Era integrated various structural techniques that established the grounds for the progression of European music within the 19th century.
Dec 26, 2023 · Classical era (1730-1820AD) Romantic era (1800-1910AD) Contemporary era (1900-Present) The Transition From the Classical Period. As with most of the classical music eras, there is a cross over between the Romantic era and the preceding classical era. This transition was bridged by Ludwig van Beethoven (1770-1827) with his music spanning both ...
Feb 11, 2022 · The Transition from Classical to Romantic Music. Classical music is defined by having strict rules and traditions, however it moved away from this around the early decades of the 18th century. Composers of classical music often adhered to simple ideas aiming for elegance in all areas of music – structure, melodies, and harmony.
The Classical Period was an era of classical music between roughly 1750 and 1820.. The classical period falls between the Baroque and Romantic periods. Classical music has a lighter, clearer texture than Baroque music but a more varying use of musical form, which is, in simpler terms, the rhythm and organization of any given piece of music.
Wilfrid Dunwell, “The Age of Goethe and Beethoven,” in Hays, ed., Twentieth-century Views of Music History (New York: C. Scribner & Sons, 1972), 297-98. Through his symphonies and other works, Beethoven built a musical bridge from the Classical past to the Romantic future.
